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8- the miraculous harp.] Alluding to the wonders of Amphion's music. Steevens.

ht. Why, in good time.

Gm. Sir, we were talking, th as fresh, as when we were a

your daughter, who is now qu

Ant. And the rarest that e'er

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'Bate, I beseech you, w Ant. 0, widow Dido; ay, wi Gom. Is not, sir, my double

wore it? I mean in a sort.

Int. That sort was well fish

Gon. When I wore it at yo
Alim. You cram these word
The stomach of my sense:9
Maried my daughter there!
My son is lost; and, in my
Who is so far from Italy re
The'er again shall see her.
Of Naples and of Milan, wh
Hath made his meal on the
Fran.

I saw him beat the surges
And ride upon their backs
Whose enmity he flung a
The surge most swollen
Bore the contentious wa
Himself, with his good a
To the shore, that o'er b
As stooping to relieve h
He came alive to land.
Alon.

Seb. Sir, you may t
That would not bless
But rather lose her to
Where she, at least, i
Who hath cause to v
Alon.

Seb. You were kn

The stomach of my reason and natural affec "Against al

Mr. M

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By all of us; and the fair soul herself
Weigh'd, between lothness and obedience, "at"

d Which end o' the beam"she'd bow. We have lost your

Gon. And were the king of it, What would I do? Seb. 'Scape being drunk, for want of wine.

1 Weigh'd, between lothness and obedience, at

Which end o'the beam she'd bow.] Weigh'd means deliberated. It is used in nearly the same sense in Love's Labour Lost, and in Hamlet. The old copy reads should bow. Should, was, probably, an abbreviation of she would, the mark of elision being inadvertently omitted [sh'ould]. Thus, he has, is frequently exhibited in the first folio-h'as. Mr. Pope corrected the passage, thus: "at which end the beam should bow." But omission of any word in the old copy, without substituting another in its place, is seldom safe, except in those instances, where the repeated word appears to have been caught by the compositor's eye, glancing on the line above or below, or where a word is printed twice in the same line. Malone.

2 Than we bring men to comfort them:] It does not clearly appear whether the king and these lords thought the ship lost. This passage seems to imply, that they were, themselves, confident of returning, but imagined part of the fleet destroyed. Why, indeed, should Sebastian plot against his brother, in the following scene, unless he knew how to find the kingdom, which he was to inherit! Johnson.

I' the commonwealth, I woul all things: for no kind of tra ladmit; no name of magist tes should not be known; no use thes, of of poverty; no contract dessions; bound of land, tilth, vi use of metal, corn, or wine, or occupation; all men idle, all ; women too; but innocent and sorereignty:

And yet he v

. The latter end of his com

All things in common na Tthout sweat, or endeavour: t pike, knife, gun, or nee

bd ne of service, none; contract
Burn, bound of land, tilth, win
the of the second of these lines,
at some word was omitted a
however, in our author's met
eline being transferred to an
preceding line is redundant.
other passages, have been
read-

And use of service, none
Contract, bourn, bound
ratession being often used b
must, however, be owned, t
Lasays, the words contract and
Balmer as in the first folio.
If the error did not happen
sed as a dissyllable, and th
have been none:

contract, suc
None; bourn, bound of

The latter end of his cor this dialogue is a fine sati ment, and the impractica commended. Warburton

5

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any engine,] A like an engin "From the fix'd l It man 1

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wealth, I would, by contraries, - no kind of traffick

me of magistrate;

known; no use of service,

cy; no contracts,
f land, tilth, vineyard, none: 3
-, or wine, or oil:
men idle, all;

innocent and pure:

And yet he would be king on't. nd of his commonwealth forgets the

n common nature should produce endeavour: treason, felony,

gun, or need of any engine,5

none; contract, succession,

Land, tilth, vineyard, none.] The defective of these lines, affords a ground for believvas omitted at the press. Many of the deauthor's metre, have arisen from the words nsferred to another. In the present instance, redundant. Perhaps the words here, as in s, have been shuffled out of their places. We

service, none; succession,

Durn, bound of land, tilth, vineyard, none. Often used by Shakspeare as a quadrisyllable. be owned, that in the passage in Montaigne's contract and succession are arranged in the same first folio.

- not happen in this way, bourn might have been ble, and the word omitted at the press, might

ntract, succession,

n, bound of land, tilth, vineyard, none.

d of his commonwealth forgets the beginning.] All a fine satire on the Utopian treatises of governimpracticable inconsistent schemes, therein reWarburton.

gine,] An engine is the rack. So, in K. Lear:

e an engine, wrench'd my frame of nature

ne fix'd place."

vever, be used here in its common signification of war, or military machine. Steevens.

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Ant. Long live Gonzalo!
Gon.

'Save his majesty!

And, do you mark me, sir? Alon. Pr'ythee, no more: thou dost talk nothing to me. Gon. I do well believe your highness; and did it to minister occasion to these gentlemen, who are of such sensible and nimble lungs, that they always use to laugh at nothing.

Ant. 'Twas you we laugh'd at.

Gon. Who, in this kind of merry fooling, am nothing
to you: so you may continue, and laugh at nothing still.
Ant. What a blow was there given?
Seb. An it had not fallen flat-long.

Gon. You are gentlemen of brave mettle; you would

6- all foizon,] Foison, or foizon, signifies plenty, ubertas; not moisture, or juice of grass, as Mr. Pope says. Edwards. So, in Warner's Albion's England, 1602, B. XIII. ch. 78:

"Union, in breese, is foysonous, and discorde works decay." Mr. Pope, however, is not entirely mistaken, as foison, or fizon, sometimes bears the meaning which he has affixed to it. See Ray's Collection of South and East Country words. Steevens.

nature should bring forth,

Of its own kind, all foizon, all abundance,

To feed my innocent people.] "And if, notwithstanding, in divers fruits of those countries, that were never tilled, we shall find, that in respect of our's, they are most excellent, and as delicate unto our taste, there is no reason Art should gain the point of our great and puissant mother, Nature." Montaigne's Essaies, ubi sup. Malone.

7 I would with such perfection govern, sir,

To excel the golden age.] So Montaigne, ubi supra: "Me seemeth, that what in those [newly discovered] nations we see by experience, doth not only EXCEED all the pictures, wherewith licentious poesie hath proudly imbellished the GOLDEN AGE, and all her quaint inventions to fain a happy condition of man, but also the conception and desire of philosophy." Malone.

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