The Dramatist and the Received Idea

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CUP Archive, 15 mai 1980 - 400 pagini
Dr Sanders' book grew out of uneasiness over commonly accepted ways of talking about Elizabethan literature. Phrases like 'world picture', 'received ideas' are so easily used that we bypass important questions: A picture of whose word? Ideas received by whom? and in what way? The heart of Dr Sanders' book is a critical account of seven plays by Marlowe and Shakespeare (The Massacre at Paris, The Jew of Malta, Edward II, Dr Faustus, Richard II, Richard III and Macbeth). In his examination, Dr Sanders is at pains to analyse the nature of the intellectual and cultural environment in which the plays were written, to define the ways in which this environment influenced Marlowe and Shakespeare and thus to come to a full understanding of the manner in which a work of art can be simultaneously 'of an age' and 'for all time'.

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Cuprins

The Massacre at Paris
20
The Jew of Malta
38
Machiavelli and the Crisis of Renaissance Political
61
s Providence and Policy in Richard III
72
Providence and History in Elizabethan Thought
110
Edward II
121
Critique of Elizabethan Policy
143
Richard II
158
Doctor Faustus
205
Marlowe and the Calvinist Doctrine of Reprobation
243
The Tragedie of Macbeth
253
Macbeth and the Theology of Evil
308
Is Artist and Ethos
317
Barabas and the Historical Jew of Europe
339
A Note on the Authorship of Faustus
352
Index
387

Supernature and Demonism in Elizabethan Thought
194

Termeni și expresii frecvente

Informații bibliografice