What says the silver, with her virgin hue? If thou be'st rated by thy estimation, One of these three contains her heavenly picture. To rib-] i. e. inclose, as the ribs inclose the viscera. Stamped in gold; but that's insculp'do upon; But here an angel in a golden bed Lies all within. - Deliver me the key; Here do I choose, and thrive I as I may ! Por. There, take it, prince, and if my form lie there, Then I am yours. [He unlocks the golden casket. Mor. O hell! what have we here? A carrion death, within whose empty eye There is a written scroll? I'll read the writing. All that glisters is not gold, Cold, indeed; and labour lost: Then, farewell, heat; and, welcome, frost. Portia adieu! I have too griev'd a heart Por. A gentle riddance, [Exit. Draw the curtains, Let all of his complexion choose me so. [Exeunt. SCENE VIII. Venice. A Street. Enter SALARINO and SALANIO. Salar. Why man, I saw Bassanio under sail; With him is Gratiano gone along; 9-insculp'd upon;] To insculp is to engrave. The meaning is, that the figure of the angel is raised or embossed on the coin, not engraved on it. And in their ship, I am sure, Lorenzo is not. Salar. He came too late, the ship was under sail : Salar. Why, all the boys in Venice follow him, Or he shall pay for this. Salar. Marry, well remember'd : I reason'd with a Frenchman yesterday 1; Salan. You were best to tell Antonio what you hear; Yet do not suddenly, for it may grieve him. Salar. A kinder gentleman treads not the earth. I reason'd with a Frenchman yesterday;] i.e. I conversed. Of his return; he answer'd He wrung Bassanio's hand, and so they parted. Salar. Do we so. SCENE IX. [Exeunt. Belmont. A Room in Portia's House. Enter NERISSA, with a Servant. Ner. Quick, quick, I pray thee draw the curtain straight; The prince of Arragon hath ta'en his oath, And comes to his election presently. 2 Slubber not-] To slubber is to do any thing carelessly, imper fectly. 3 And even there, his eye being big with tears, Turning his face, he put his hand behind him, &c.] So curious an observer of nature was our author, and so minutely had he traced the operation of the passions, that many passages of his works might furnish hints to painters. It is indeed surprizing that they do not study his plays with this view. In the passage before us, we have the outline of a beautiful picture. MALONE. 4 embraced heaviness-] The heaviness which he indulges, and is fond of. Flourish of Cornets. Enter the Prince of Arragon, PORTIA, and their Trains. Por. Behold, there stand the caskets, noble prince : If you choose that wherein I am contain'd, Straight shall our nuptial rites be solemniz'd; But if you fail, without more speech, my lord, You must be gone from hence immediately. Ar. I am enjoin'd by oath to observe three things : First, never to unfold to any one Which casket 'twas I chose; next, if I fail Of the right casket, never in my life, To woo a maid in way of marriage; lastly, If I do fail in fortune of my choice, Immediately to leave you and be gone. Por. To these injunctions every one doth swear, That comes to hazard for my worthless self. Ar. And so have I address'd me': Fortune now To my heart's hope! - Gold, silver, and base lead. Who chooseth me, must give and hazard all he hath : You shall look fairer, ere I give, or hazard. What says the golden chest? ha! let me see: Who chooseth me, shall gain what many men desire. What many men desire. - That many may be meant By the fool multitude, that choose by show, Not learning more than the fond eye doth teach; Which pries not to the interior, but, like the martlet, Builds in the weather on the outward wall, Even in the force and road of casualty. I will not choose what many men desire, Because I will not jump with common spirits, And rank me with the barbarous multitudes. Why, then to thee, thou silver treasure-house; Tell me once more what title thou dost bear: Who chooseth me, shall get as much as he deserves ; 5 And so have I address'd me:] To address is to prepare. |