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encies, our confidence in the comic poet's accuracy, if not in his good faith, becomes seriously shaken; and his whole tone so vividly recalls the analogous invectives now hurled from press and pulpit against every philosophic theory, every scientific discovery, every social reform at variance with traditional beliefs or threatening the sinister interests which have gathered round iniquitous institutions, that at first we feel tempted to follow Grote in rejecting his testimony altogether. So far, however, as the actual phenomena themselves are concerned, and apart from their generating antecedents, Aristophanes does but bring into more picturesque prominence what graver observers are content to indicate, and what Plato, writing a generation later, treats as an unquestionable reality. Nor is the fact of a lowered moral tone going along with accelerated mental activity either incredible or unparalleled. Modern history knows of at least two periods remarkable for such a conjunction, the Renaissance and the eighteenth century, the former stained with every imaginable crime, the latter impure throughout, and lapsing into bloodthirsty violence at its close. Moral progress, like every other mode of motion, has its appropriate rhythm—its epochs of severe restraint followed by epochs of rebellious license. And when, as an aggravation of the reaction from which they periodically suffer, ethical principles have become associated with a mythology whose decay, at first retarded, is finally hastened by their activity, it is still easier to understand how they may share in its discredit, and only regain their ascendency by allying themselves with a purified form of the old religion, until they can be disentangled from the compromising support of all unverified theories whatever. We have every reason to believe that Greek life and thought did pass through such a crisis during the second half of the fifth century B.C., and we have now to deal with the speculative aspects of that crisis, so far as they are represented by the Sophists.

IV.

The word Sophist in modern languages means one who purposely uses fallacious arguments. Our definition was probably derived from that given by Aristotle in his Topics, but does not entirely reproduce it. What we call sophistry was with him eristic, or the art of unfair disputation; and by Sophist he means one who practises the eristic art for gain. He also defines sophistry as the appearance without the reality of wisdom. A very similar account of the Sophists and their art is given by Plato in what seems to be one of his later dialogues; and another dialogue, probably composed some time previously, shows us how eristic was actually practised by two Sophists, Euthydêmus and Dionysodôrus, who had learned the art, which is represented as a very easy accomplishment, when already old men. Their performance is not edifying; and one only wonders how any Greek could have been induced to pay for the privilege of witnessing such an exhibition. But the word Sophist, in its original signification, was an entirely honourable name. It meant a sage, a wise and learned man, like Solon, or, for that matter, like Plato and Aristotle themselves. The interval between these widely-different connotations is filled up and explained by a number of individuals as to whom our information is principally, though by no means entirely, derived from Plato. All of them were professional teachers, receiving payment for their services; all made a particular study of language, some aiming more particularly at accuracy, others at beauty of expression. While no common doctrine can be attributed to them as a class, as individuals they are connected by a series of graduated transitions, the final outcome of which will enable us to understand how, from a title of respect, their name could be turned into a byword of reproach. The Sophists, concerning whom some details have been trans

mitted to us, are Protagoras, Gorgias, Prodicus, Hippias, Pôlus, Thrasymachus, and the Eristics already mentioned. We have placed them, so far as their ages can be determined, in chronological order, but their logical order is somewhat different. The first two on the list were born about 480 B.C., and the second pair possibly twenty years later. But neither Protagoras nor Gorgias seems to have published his most characteristic theories until a rather advanced time of life, for they are nowhere alluded to by the Xenophontic Socrates, who, on the other hand, is well acquainted with both Prodicus and Hippias, while, conversely, Plato is most interested in the former pair. We shall also presently see that the scepticism of the elder Sophists can best be explained by reference to the more dogmatic theories of their younger contemporaries, which again easily fit on to the physical speculations of earlier thinkers.

Prodicus was born in Ceos, a little island belonging to the Athenian confederacy, and seems to have habitually resided at Athens. His health was delicate, and he wrapped up a good deal, as we learn from the ridicule of Plato, always pitiless to a valetudinarian. Judging from two allusions in Aristophanes, he taught natural science in such a manner as to conciliate even that unsparing enemy of the new learning. ' He also gave moral instruction grounded on the traditional ideas of his country, a pleasing specimen of which has been preserved. It is conveyed under the form of an apologue, entitled the Choice of Heraclês, and was taken down in its present form by Xenophon from the lips of Socrates, who quoted it, with full approval, for the benefit of his own disciples. Prodicus also lectured on the use of words, laying especial emphasis on the distinction of synonyms. We hear, not without sympathy, that he tried to check the

1 Οὐ γὰρ ἄλλῳ γ' ὑπακούσαιμεν τῶν νῦν μετεωροσοφιστῶν
πλὴν ἢ Προδίκῳ, τῷ μὲν σοφίας καὶ γνώμης οἵνεκα κ.τ.λ.—

Nub., 361-2. Cf. Av., 692.

indiscriminate employment of awful' (devós), which was even more rife at Athens than among ourselves. Finally, we are told that, like many moderns, he considered the popular divinities to be personifications of natural phenomena. Hippias, who was a native of Elis, seems to have taught on very much the same system. It would appear that he lectured principally on astronomy and physics, but did not neglect language, and is said to have invented an art of memory. His restless inquisitiveness was also exercised on ancient history, and his erudition in that subject was taxed to the utmost during a visit to Sparta, where the unlettered people still delighted in old stories, which among the more enlightened Greeks had been superseded by topics of livelier and fresher interest. At Sparta, too, he recited, with great applause, an ethical discourse under the form of advice given by Nestor to Neoptolemus after the capture of Troy. We know, on good authority, that Hippias habitually distinguished between natural and customary law, the former being, according to him, everywhere the same, while the latter varied from state to state, and in the same state at different times. Natural law he held to be alone binding and alone salutary. On this subject the following expressions, evidently intended to be characteristic, are put into his mouth by Plato :-' All of you who are here present I reckon to be kinsmen and friends and fellow-citizens, by nature and not by law; for by nature like is akin to like, whereas law is the tyrant of mankind, and often compels us to do many things which are against Nature.' Here two distinct ideas are implied, the idea that Nature is a moral guide, and, further, the idea that she is opposed to convention. The habit of looking for examples and lessons to some simpler life than their own prevailed among the Greeks from a very early period, and is, indeed, very common in primitive societies. Homer's similes are a case in point; while all that we are told

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1 Plato, Protagoras, 337, D; Jowett's Transl., vol. I., p. 152.

about the innocence and felicity of the Aethiopians and Hyperboreans seems to indicate a deep-rooted belief in the moral superiority of savage to civilised nations; and Hesiod's fiction of the Four Ages, beginning with a golden age, arises from a kindred notion that intellectual progress is accompanied by moral corruption. Simonides of Amorgus illustrates the various types of womankind by examples from the animal world; and Aesop's fables, dating from the first half of the sixth century, give ethical instruction under the same disguise. We have already pointed out how Greek rural religion established a thorough-going connexion between physical and moral phenomena, and how Heracleitus followed in the same track. Now, one great result of early Greek thought, as described in our first chapter, was to combine all these scattered fugitive incoherent ideas under a single conception, thus enabling them to elucidate and support one another. This was the conception of Nature as a universal all-creative eternal power, first superior to the gods, then altogether superseding them. When Homer called Zeus the father of gods and men; when Pindar said that both races, the divine and the human, are sprung from one mother (Earth); when, again, he spoke of law as an absolute king; or when Aeschylus set destiny above Zeus himself; they were but foreshadowing a more despotic authority, whose dominion is even now not extinct, is perhaps being renewed under the title of Evolution. The word Nature was used by most philosophers, and the thing was implied by all. They did not, indeed, commit the mistake of personifying a convenient abstraction; but a conception which they substituted for the gods would soon inherit every attribute of divine agency. Moreover, the Nature of philosophy had three fundamental attributes admitting of ready application as ethical standards. She was everywhere the same; fire burned in Greece and Persia alike. She tended towards an 1 Nem., VI., sub. in. 2 Prom., 518.

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