Renaissance Revivals: City Comedy and Revenge Tragedy in the London Theater, 1576-1980University of Chicago Press, 1986 - 288 pagini Renaissance Revivals examines patterns in the London revivals of two English Renaissance theatre genres over the past four centuries. Griswold's focus on revenge tragedies and city comedies illuminates the ongoing interaction between society and its cultural products. No cultural object is ever created anew, she argues, but is instead constructed from existing cultural genres and conventions, the visions and professional needs of the artist, and the interests of an audience. Thus, every "new play" is in part a renaissance and every "revival" is in part an entirely new cultural object. |
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Cuprins
CITY COMEDIES | 14 |
REVENGE TRAGEDIES | 85 |
RENAISSANCE REVIVALS FROM THE RESTORATION | 101 |
RENAISSANCE REVIVALS FROM CARLO THE HERO | 129 |
RENAISSANCE REVIVALS FROM THE EDWARDIANS | 147 |
REVIVALS AND THE REAL THING | 187 |
ENGLISH DRAMA 15711642 TOTAL | 213 |
STATISTICAL COMPARISONS | 227 |
439 | 229 |
NOTES | 235 |
17 | 238 |
55 | 244 |
BIBLIOGRAPHY | 271 |
283 | |
Termeni și expresii frecvente
actors appeal archetypal Bartholomew Fair canon Changeling characters city comedy comedy and revenge companies concerns contemporary conventions cony-catchers court Covent Garden critics cultural diamond cultural objects decade dience dramatists Drury Lane Drury Lane regularly Duchess of Malfi Duke early economic eighteenth century elegant elite England English Drama entertainment Epicoene gallants Garrick genre Haymarket History horror Humour institutional intellectuals Jacobean John Jonson justice kills late literary London Stage London theatre Maid's Tragedy meaning melodrama metaphor middle class moral nineteenth century Old Vic pattern Pay Old Debts performed period playwrights Poel political popular private theatres produced Shakespeare productions public theatres Renais Renaissance drama Renaissance plays Renaissance revivals repertory Restoration revenge tragedy Revenger's Tragedy Royal sance Senecan Sir Giles social Society Spanish Tragedy TABLE tastes theatre audience theatre managers theatrical activity tion Tis Pity Titus Andronicus Total revivals tragedies The Alchemist trickster twentieth-century University Press West End Wit without Money York
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Symbolic Interaction and Cultural Studies Howard S. Becker,Michal M. McCall Previzualizare limitată - 2009 |