Under thatch'd hutts, without the cry of rent, "Good morrow, brother! is there aught you want? Take freely of me, what I have you ha'n't." Plain Tom and Dick would pass as current now, 'Twas long before spiders and worms had drawn 'Twas ere the neighbouring Virgin Land had broke Which but to use was counted next to sin. No bugbear comets in the chrystal air But valour snib'd it. Then were men of worth, Dear love, sound truth, they were our grand protection. Notable, if only as a poetic vagary, in accord with the grim humour of the period, is the Day of Doom-a poetical description of the Great and Last Judgment, with a short discourse about Eternity-by the Rev. Michael Wigglesworth, B.A. of Harvard (born 1631, died 1707), a compendious version, in the manner of Sternhold and Hopkins, of all the Scripture texts relative to the final judgment of man, in 224 stanzas of eight lines each, which went through at least seven editions in America, and was also reprinted in England. Room must be spared to give some notion of its peculiar merits. The Poem begins— Still was the night, serene and bright, Calm was the season, and carnal reason This was their song, their cups among, During the Day of Doom the souls argue with the Judge, who does not always get much the better of them in the argument. The colloquies are given at some length. Among those to be judged to the bar all they drew near Who died in infancy, And never had or good or bad They remonstrate, complaining of hard measure, and are finally told that through Adam You sinners are, and such a share Such you shall have; for I do save A crime it is, therefore in bliss The glorious King thus answering, Their consciences must needs confess His reasons are the stronger. Thus all men's pleas the judge with ease Doth answer and confute, Until that all, both great and small, Vain hopes are crop'd, all mouths are stop'd, But that 'tis just and equal most 66 They should be damn'd for aye. We may pass the Muse of Wolcott, Governor of Connecticut, guilty of fifteen hundred lines in heroic couplets,a Brief Account of the Agency of the Honourable John Winthorp Esquire in the Court of King Charles the Second, Anno Dom: 1662, when he obtained a Charter for the Colony of Connecticut published at New London, Conn:, in 1725. In 1761 we make acquaintance with Nathaniel Evans, of Philadelphia, cut off" (says Kettell) "at an age when few have sufficiently developed their powers to execute any work of great and permanent excellence. Yet from what he has left behind him, his poetical talent may be estimated highly. His taste was excellent and his imagination vivid. The Ode on the Prospect of Peace is decidedly the most finished and elegant production which the literature of our country could exhibit at that date." Beginning When elemental conflicts rage, And heaven is wrapp'd in tempests dire, And radiant Sol's all-cheering face, When Eurus, charged with livid clouds, And Iris sweet, of varied hue, Thus when Bellona (ruthless maid!) Her empire through the world has spread, And death his flag has proud display'd O'er legions that in battle bled; If peace, bedeck'd with olive robe, (Resplendent nymph, sweet guest of heaven) Then wake, O muse! thy sweetest lays- And while the notes in varied cader.ce sound, Eye thou the Theban swan that soars o'er heav'nly ground. The remainder is in the same strain. Our quotation not unfairly represents the tasteful productions of the Evans period, when turgid declamation was supposed to be eloquence, and even critics mistook tumidity for grandeur. “Mrs. Bleecker's poetry" (our Kettell again) "is not of that high order which would sustain itself under any very bold attempt; but the events of her life (she died in 1783, at the age of 31) "confer a degree of interest upon the few productions which she has left behind her. A female cultivating the elegant arts of refined society at the ultima Thule of civilized life, in regions of savage wildness" (the northern part of the State of New York), " and among scenes of alarm, desolation, and bloodshed, is a spectacle too striking not to fix our attention." In regions of savage wildness the lady writes Come, my Susan! quit your chamber, Greet the opening bloom of May; And around the scene survey. Timothy Dwight, President of Yale College and a man of learning and great ability, wrote the Conquest of Canaan in eleven books, and various other poems, satires, and psalms. We refrain from quotation. John Trumbull, though not more of a poet than Dwight, requires some further notice. His two great works are the Progress of Dullness, a satire, in Hudibrastic verse, on the literature and manners of his time, and his better known political Poem, MFingal, the first part of which was written in 1775, at the request of some members of the American Congress, with a view to affect public opinion in favour of the war then beginning against the mother country. The completed poem was published at Hartford, Conn:, in 1782, had immense popularity and ran through numerous editions. The story is not much. M'Fingal is a Scotchman, a justice of the peace in a town near Boston, |