To Mr. William Stanley Braithwaite for "Spring," by John Gould Fletcher; and for "Good Company," by Karle Wilson Baker, both poems originally published in The Poetry Review and now included in The Golden Treasury of Magazine Verse:

To Messrs. Duffield & Company for "The Vigil of Joseph," from "The Frozen Grail," by Elsa Barker; for "June" and "Desire in Spring," from "Songs of The Fields," by Francis Ledwidge:

To The Page Company for "Lord of My Heart's Elation," from "The Green Book of the Bards," by Bliss Carman, copyright, 1903:

To Messrs. Boni & Liveright for "Calling-One's-Own," from "The Path on the Rainbow," edited by George Cronyn:

To Messrs. Small, Maynard & Company for "An April Morning," from "April Airs," by Bliss Carman, copyright, 1916, reprinted by permission of the publishers, Small, Maynard & Company, Inc.:

To Messrs. Dodd, Mead and Company for "Symbols" from "Poems: 1908-1914," by John Drinkwater:

To Mr. Richard G. Badger for "Grandmither," from "April Twilights," by Willa Sibert Cather:

To the Woodberry Society for one sonnet from "Ideal Passion," by George Edward Woodberry:

To Mr. John Hall Wheelock for "Nirvana," from "The Beloved Adventure," published by Sherman, French & Company:

To Mr. Egmont Arens for a selection from "Night," by James Oppenheim:

To the Little Book Publishing Company for "A Woman," from "Streets and Faces," by Scudder Middleton:

To the Oxford University Press, Toronto, Canada, for "I Sat Among the Green Leaves," from "The Lamp of Poor Souls," by Marjorie L. C. Pickthall:

To the Editors of Poetry, A Magazine of Verse for "Tampico," by Grace Hazard Conkling; for "Sunrise on Rydal Water," by John Drinkwater; for "Indian Summer," by William Ellery Leonard; for "Maternity," by Alice Meynell; for "In the Mohave," by

Patrick Orr; for "A Day for Wandering," by Clinton Scollard; for "Who Loves the Rain," by Frances Shaw; for "The Bacchante to Her Babe," by Eunice Tietjens; for "The Bird and the Tree," and "Santa Barbara Beach," by Ridgely Torrence; for "Down Fifth Avenue," by John Curtis Underwood; for "On the Great Plateau," by Edith Wyatt:

To The Yale Review for "Ash Wednesday," by John Erskine; and for "Earth," by John Hall Wheelock:

To The North American Review for "Motherhood," by Agnes Lee: To The Independent for "Phantasm of War: The Cornucopia of Red and Green Comfits," by Amy Lowell:

To The Touchstone for "The Time Clock," by Charles Hanson Towne:

To The Outlook for "Night's Mardi Gras," by Edward J. Wheeler: To The Nation for "Standards," by Charles Wharton Stork:

To Much Ado of St. Louis for "Rain, Rain," by Zoë Akins:

To The Los Angeles Graphic for "White Iris," by Pauline B. Barring

ton:

To The New York Sun for "God You have been Too Good to Me," by Charles Wharton Stork:

To The New York Times for "Epitaph," by Louis Driscoll:

To Mr. Samuel Roth for his sonnet:

The brief quotations from Clement Wood's poetry are taken from "Glad of Earth," published by Laurence J. Gomme:

The brief quotations from the work of Ezra Pound are to be found in Lustra" (Knoff) and in "Provenca" (Small, Maynard) and in the files of Poetry A Magazine of Verse.

The thanks of the author are due, also, to the following publishers in Great Britain and Ireland for the privilege of reprinting the following selections published by them:

To Messrs. Macmillan & Company, Ltd., London, for "Transformations" and "The Wind Blew Words," from "Moments of Vision," by Thomas Hardy; for "Seal Lullaby" and "Road-Song of the Bandar-Log," from "The Jungle Book," by Rudyard Kipling; for

"Deirdre," from "Songs from the Clay," by James Stephens; for two narratives from "Fruit-Gathering," by Rabindranath Tagore; and for "On the Day when the Lotus Bloomed,” from “Gitanjali,” by Rabindranath Tagore; for "The Song of Wandering Aengus," from "Poems," by William Butler Yeats, and for the lyric beginning "The Wind Blows out of the Gates of Day," from "The Land of Heart's Desire," by William Butler Yeats:

To Messrs. Constable & Company, Ltd., for "Jim Jay" and "Silver," from "Peacock Pie," by Walter de la Mare, and for "Listeners" and "Miss Loo," from "The Listeners," by Walter de la Mare; for "I Have a Rendezvous with Death," from "Poems," by Alan Seeger; for "Windmills" and brief quotations from poems by John Gould Fletcher, for "Sea Gods," by H. D., and for "Dawn" and "After Two Years," by Richard Aldington, from "Some Imagist Poets, 1916" and "Some Imagist Poets, 1917":

To Mr. Elkin Mathews for "Cargoes" from "Ballads" and "A Consecration," from "Salt Water Ballads" for "The End of the World," from "Chambers of Imagery, Second Series," by Gordon Bottomley; for "Breakfast," "The Father," "The Messages" and "The Old Bed," from "Battle and Other Poems," by Wilfrid Wilson Gibson:

To Mr. William Heinemann for "The Kiss" and "Absolution,” from "The Old Huntsman and Other Poems," by Siegfried Sassoon; for "Assault Heroic" from "Fairies and Fusiliers," by Robert Graves; for "Ships," by John Masefield, and for one sonnet from "Lollingdon Downs and Sonnets," by John Masefield:

To Messrs. Maunsel & Company, Ltd., Dublin, for "In the Poppy Field," from "The Hill of Vision," by James Stephens; for "The Old Woman," from "Irishry," by Joseph Campbell; for "The Furrow and the Hearth" and "An Old Woman of the Roads," from "Wild Earth and Other Poems," by Padraic Colum:

To John Lane, The Bodley Head, London, for "The Iron Music" and "The Old Houses of Flanders," from "On Heaven and Poems Written on Active Service," by Ford Madox Hucffer; for "I Sat Among the Green Leaves," from "The Lamp of Poor Souls," by Marjorie L. C. Pickthall:

To Messrs. Chatto & Windus for "So Beautiful You are Indeed,"

from "Songs to Save a Soul," by Irene Rutherford McLeod, and for "Nearer" and "Out of Trenches: The Barn, Twilight," by Robert Nichols:

To Messrs. J. M. Dent & Sons for "The Common Street," from "A Chant of Love for England and Other Poems," by Helen Gray Cone; for "Path Flower," from the volume of the same name by Olive Tilford Dargan:

To Messrs. Sidgwick and Jackson for two sonnets, "The Dead," by Rupert Brooke, and for "Symbols" and "Sunrise on Rydal Water," by John Drinkwater:

To Messrs. Hodder & Stoughton for "Trees," "Martin," and "Rouge Bouquet," by Joyce Kilmer:

To Mr. A. C. Fifield for "Days Too Short," "The Rain" and "Nature's Friend," by William H. Davies:

To Mr. Grant Richards for "The Runner in the Skies," from "Songs for the New Age," by James Oppenheim:

To Messrs. Burns and Oates for "At Night" and "Maternity," by Alice Meynell, and for "Lepanto," by G. K. Chesterton:

To Messrs William Blackwood & Sons, Edinburgh, London, for "Forty Singing Seamen," by Alfred Noyes:

To Messrs. Herbert Jenkins, Ltd., for "Desire in Spring" and "June," from "Songs of the Fields," by Francis Ledwidge:

To Mr. A. T. Stevens and The Flying Fame for "The Bull," by Ralph Hodgson:

To Mr. Martin Secker for "The Dying Patriot," from "The Golden Journey to Samarkand " by James Elroy Flecker:

To The British Review for "The Song of the Full Catch," by Constance Lindsay Skinner:

The thanks of the authors are due, also, to the distinguished poets who contributed to the chapter on "How Poems are Made," William Rose Benét, Padraic Colum, Sara Teasdale, Harriet Monroe and Edwin Markham:

And thanks are due, also, to Mary Fanton Roberts, Editor of The Touchstone, for permission to reprint portions of articles that appeared for the first time in her magazine.