Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 21
... stage performance : although we are perhaps less certain than we thought we were about some important details , we do know a good deal about the Elizabethan public theatres [ 10 ] ; and what we know may be summed up by saying that the stage ...
... stage performance : although we are perhaps less certain than we thought we were about some important details , we do know a good deal about the Elizabethan public theatres [ 10 ] ; and what we know may be summed up by saying that the stage ...
Pagina 117
... stage - direction : ' Enter Lear , with Cordelia dead in his arms ' . The scene of Lear's final anguish is so painful that criticism hesitates to fumble with it : where no one can remain unaffected the critic's business is to supply ...
... stage - direction : ' Enter Lear , with Cordelia dead in his arms ' . The scene of Lear's final anguish is so painful that criticism hesitates to fumble with it : where no one can remain unaffected the critic's business is to supply ...
Pagina 162
... stage tyrant's tortores ) might hap to break his head , and worthy , for marring of the play . And so they ( the citizens ) said that these matters be King's games , as it were stage plays , and for the more part played upon scaffolds ...
... stage tyrant's tortores ) might hap to break his head , and worthy , for marring of the play . And so they ( the citizens ) said that these matters be King's games , as it were stage plays , and for the more part played upon scaffolds ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action appearance Arden edition aspects attitudes aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined deliberate doth dramatic Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony justice kind King Henry King Lear Lear's lines living Macbeth man's meaning merely mind moral murder Nature's night passage pattern peace philosophic phrase play's poet poetic poetry political present Professor public world question reality relation Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggests T. S. Eliot thee themes things thou thought time's tion Titus Andronicus tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words