Some Shakespearean Themes |
Din interiorul cărții
Rezultatele 1 - 3 din 29
Pagina 53
Now just as the comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff who seems ...
Now just as the comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff who seems ...
Pagina 63
In Act I , scene i , Northumberland , finding physic in the poison of ill news , throws away his crutch and ' sickly quoif ' . Now bind my brows with iron ; and approach The ragged'st hour that time and spite dare bring To frown upon ...
In Act I , scene i , Northumberland , finding physic in the poison of ill news , throws away his crutch and ' sickly quoif ' . Now bind my brows with iron ; and approach The ragged'st hour that time and spite dare bring To frown upon ...
Pagina 152
When , in the first scene of the play , Coriolanus's prowess is mentioned , we are told , ' He did it to please his mother , and to be partly proud ' ( 1. i . 37-8 ) . Almost immediately after the first public appearance of the hero ...
When , in the first scene of the play , Coriolanus's prowess is mentioned , we are told , ' He did it to please his mother , and to be partly proud ' ( 1. i . 37-8 ) . Almost immediately after the first public appearance of the hero ...
Ce spun oamenii - Scrie o recenzie
Nu am găsit nicio recenzie în locurile obișnuite.
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects aware brings CHAPTER character close comes complex concerned consciousness Cordelia course criticism death defined direction directly doth effect element Elizabethan essay essential evil experience expression fact feel follow Fool force give given Gloucester hath heart Henry honour human imagery images imaginative interest John kind King Lear Lear's less lies lines living look Macbeth man's matter meaning merely mind moral murder nature particular passage pattern peace play poet poetry political possible present question reality reason references relation represent revealed scene seems seen sense Shakespeare shows significance simply Sonnets speak speech stand suggests thee themes things thou thought tion tragedies Troilus true truth Ulysses values whole