Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 12
Lionel Charles Knights. References , notes and specific acknowledgements are reserved for the end of the book . If the text seems to me to give adequate reference to works from which I have quoted I have not given more detailed ...
Lionel Charles Knights. References , notes and specific acknowledgements are reserved for the end of the book . If the text seems to me to give adequate reference to works from which I have quoted I have not given more detailed ...
Pagina 53
... references to age and disease , as the references to Falstaff's corpulence are turned in Part I , in the direction of comedy [ s ] . Later , Falstaff will try again his familiar tactics of evasion— ' Peace , good Doll ! do not speak ...
... references to age and disease , as the references to Falstaff's corpulence are turned in Part I , in the direction of comedy [ s ] . Later , Falstaff will try again his familiar tactics of evasion— ' Peace , good Doll ! do not speak ...
Pagina 166
... references in which both parts of this play abound ( see Richmond Noble , Shakespeare's Biblical Knowledge , pp . 169-81 ) seem to me to take on a more severe significance in Part II ; in the scene under consideration the references to ...
... references in which both parts of this play abound ( see Richmond Noble , Shakespeare's Biblical Knowledge , pp . 169-81 ) seem to me to take on a more severe significance in Part II ; in the scene under consideration the references to ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action appearance Arden edition aspects attitudes aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined deliberate doth dramatic Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony justice kind King Henry King Lear Lear's lines living Macbeth man's meaning merely mind moral murder Nature's night passage pattern peace philosophic phrase play's poet poetic poetry political present Professor public world question reality relation Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggests T. S. Eliot thee themes things thou thought time's tion Titus Andronicus tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words