Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 19
... mind of the reader is thoroughly ' roused and awakened ' [ 7 ] , that meanings from below the level of ' plot ' and ' character ' take form as a living struc- ture . If that structure of meaning seems especially closely connected with ...
... mind of the reader is thoroughly ' roused and awakened ' [ 7 ] , that meanings from below the level of ' plot ' and ' character ' take form as a living struc- ture . If that structure of meaning seems especially closely connected with ...
Pagina 22
... mind . ' No Elizabethan plays achieved or aimed at a formalism of that kind . But by a happy combination of circum- stances some degree of formalism was inevitable . And the advantages of formalism , for dramatist and spectators , are ...
... mind . ' No Elizabethan plays achieved or aimed at a formalism of that kind . But by a happy combination of circum- stances some degree of formalism was inevitable . And the advantages of formalism , for dramatist and spectators , are ...
Pagina 171
... mind ; and we may turn also to Leopardi's ' La Ginestra ' ( 1836 ) . These slopes ( of Vesuvius ) Let him come visit who is wont to exalt With praise our mortal state ; here let him judge With what a loving mind Nature tends humankind ...
... mind ; and we may turn also to Leopardi's ' La Ginestra ' ( 1836 ) . These slopes ( of Vesuvius ) Let him come visit who is wont to exalt With praise our mortal state ; here let him judge With what a loving mind Nature tends humankind ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action appearance Arden edition aspects attitudes aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined deliberate doth dramatic Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony justice kind King Henry King Lear Lear's lines living Macbeth man's meaning merely mind moral murder Nature's night passage pattern peace philosophic phrase play's poet poetic poetry political present Professor public world question reality relation Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggests T. S. Eliot thee themes things thou thought time's tion Titus Andronicus tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words