Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 33
... directly , can be brought closer to what the audience directly knows , or can be brought to see , of men and affairs . This manner is brilliantly developed in King John . There is a new activity in the descriptive passages , as in the ...
... directly , can be brought closer to what the audience directly knows , or can be brought to see , of men and affairs . This manner is brilliantly developed in King John . There is a new activity in the descriptive passages , as in the ...
Pagina 78
... directly in this way it is plain that what we have to deal with , what we are engaged in , is not simply an objective analysis of the ways in which apparently opposed atti- tudes lead to the same predicament . Troilus and Cressida ...
... directly in this way it is plain that what we have to deal with , what we are engaged in , is not simply an objective analysis of the ways in which apparently opposed atti- tudes lead to the same predicament . Troilus and Cressida ...
Pagina 81
... directly the dizzy bewilder- ment whose causes they seem simply to describe . We are made directly aware of what is meant by the metaphor of the abysses of the mind . It is not only the personality of Cressida that yawns apart beneath ...
... directly the dizzy bewilder- ment whose causes they seem simply to describe . We are made directly aware of what is meant by the metaphor of the abysses of the mind . It is not only the personality of Cressida that yawns apart beneath ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action appearance Arden edition aspects attitudes aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined deliberate doth dramatic Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony justice kind King Henry King Lear Lear's lines living Macbeth man's meaning merely mind moral murder Nature's night passage pattern peace philosophic phrase play's poet poetic poetry political present Professor public world question reality relation Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggests T. S. Eliot thee themes things thou thought time's tion Titus Andronicus tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words