Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 37
... direction , purpose , course , intent : And this same bias , this Commodity , This bawd , this broker , this all - changing word , Clapp'd on the outward eye of fickle France , Hath drawn him from his own determined aid , From a ...
... direction , purpose , course , intent : And this same bias , this Commodity , This bawd , this broker , this all - changing word , Clapp'd on the outward eye of fickle France , Hath drawn him from his own determined aid , From a ...
Pagina 53
... direction of comedy [ s ] . Later , Falstaff will try again his familiar tactics of evasion— ' Peace , good Doll ! do not speak like a death's - head ; do not bid me remember mine end ' ( II . iv . 229-30 ) ; but from the scene of his ...
... direction of comedy [ s ] . Later , Falstaff will try again his familiar tactics of evasion— ' Peace , good Doll ! do not speak like a death's - head ; do not bid me remember mine end ' ( II . iv . 229-30 ) ; but from the scene of his ...
Pagina 166
... direction of growth , cannot be effective until the challenge of negation has been faced more fully and the resolution worked out at even deeper levels . Indeed in Lear and the later plays there is no defiance , and the fundamental ...
... direction of growth , cannot be effective until the challenge of negation has been faced more fully and the resolution worked out at even deeper levels . Indeed in Lear and the later plays there is no defiance , and the fundamental ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action appearance Arden edition aspects attitudes aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined deliberate doth dramatic Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony justice kind King Henry King Lear Lear's lines living Macbeth man's meaning merely mind moral murder Nature's night passage pattern peace philosophic phrase play's poet poetic poetry political present Professor public world question reality relation Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggests T. S. Eliot thee themes things thou thought time's tion Titus Andronicus tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words