Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 48
... course that Time's ' rage ' is always the ostensible or formal subject . It is simply that whenever there is occasion to mention Time and ' nature's changing course ' the theme takes possession : there is a sharpness and urgency of ...
... course that Time's ' rage ' is always the ostensible or formal subject . It is simply that whenever there is occasion to mention Time and ' nature's changing course ' the theme takes possession : there is a sharpness and urgency of ...
Pagina 49
... course why Time comes into the picture at all is that many of the sonnets are about ways of defeating him - getting married and having children , or writing immortal verse , or , best of all , loving so truly that Time can make no ...
... course why Time comes into the picture at all is that many of the sonnets are about ways of defeating him - getting married and having children , or writing immortal verse , or , best of all , loving so truly that Time can make no ...
Pagina 181
... course of development . Evil is the sphere of phantasy ( an idea admirably developed by St Athanasius the Great ) . Evil is evil not because it is forbidden but because it is non - being .'- Freedom and the Spirit , p . 183. The same ...
... course of development . Evil is the sphere of phantasy ( an idea admirably developed by St Athanasius the Great ) . Evil is evil not because it is forbidden but because it is non - being .'- Freedom and the Spirit , p . 183. The same ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action appearance Arden edition aspects attitudes aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined deliberate doth dramatic Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony justice kind King Henry King Lear Lear's lines living Macbeth man's meaning merely mind moral murder Nature's night passage pattern peace philosophic phrase play's poet poetic poetry political present Professor public world question reality relation Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggests T. S. Eliot thee themes things thou thought time's tion Titus Andronicus tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words