Some Shakespearean Themes |
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Pagina 48
Not of course that Time's ' rage ' is always the ostensible or formal subject . It is simply that whenever there is occasion to mention Time and ' nature's changing course ' the theme takes possession : there is a sharpness and urgency ...
Not of course that Time's ' rage ' is always the ostensible or formal subject . It is simply that whenever there is occasion to mention Time and ' nature's changing course ' the theme takes possession : there is a sharpness and urgency ...
Pagina 49
One reason of course why Time comes into the picture at all is that many of the sonnets are about ways of defeating him - getting married and having children , or writing immortal verse , or , best of all , loving so truly that Time can ...
One reason of course why Time comes into the picture at all is that many of the sonnets are about ways of defeating him - getting married and having children , or writing immortal verse , or , best of all , loving so truly that Time can ...
Pagina 181
Its nothingness is laid bare by its own inner course of development . Evil is the sphere of phantasy ( an idea admirably developed by St Athanasius the Great ) . Evil is evil not because it is forbidden but because it is non - being .
Its nothingness is laid bare by its own inner course of development . Evil is the sphere of phantasy ( an idea admirably developed by St Athanasius the Great ) . Evil is evil not because it is forbidden but because it is non - being .
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Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects aware brings CHAPTER character close comes complex concerned consciousness Cordelia course criticism death defined direction directly doth effect element Elizabethan essay essential evil experience expression fact feel follow Fool force give given Gloucester hath heart Henry honour human imagery images imaginative interest John kind King Lear Lear's less lies lines living look Macbeth man's matter meaning merely mind moral murder nature particular passage pattern peace play poet poetry political possible present question reality reason references relation represent revealed scene seems seen sense Shakespeare shows significance simply Sonnets speak speech stand suggests thee themes things thou thought tion tragedies Troilus true truth Ulysses values whole