Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 84
... consciousness and confronted at the deepest level of significance . For these reasons King Lear has the three characteristics of the very greatest works of art : it is timeless and universal ; it has a crucial place in its author's ...
... consciousness and confronted at the deepest level of significance . For these reasons King Lear has the three characteristics of the very greatest works of art : it is timeless and universal ; it has a crucial place in its author's ...
Pagina 92
... consciousness of Lear ; and the consciousness of Lear is part of the consciousness of human kind . There is the same density of effect through- out . One character echoes another : the blinding of Gloucester parallels the cruelty done ...
... consciousness of Lear ; and the consciousness of Lear is part of the consciousness of human kind . There is the same density of effect through- out . One character echoes another : the blinding of Gloucester parallels the cruelty done ...
Pagina 118
... consciousness but its heightening and fulfilment that is most insisted on in Edgar's strange phrase , ' Ripeness is ... conscious- ness ' : what he sees we are forced to see . But the question , ultimately , is not what Lear sees but ...
... consciousness but its heightening and fulfilment that is most insisted on in Edgar's strange phrase , ' Ripeness is ... conscious- ness ' : what he sees we are forced to see . But the question , ultimately , is not what Lear sees but ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action appearance Arden edition aspects attitudes aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined deliberate doth dramatic Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony justice kind King Henry King Lear Lear's lines living Macbeth man's meaning merely mind moral murder Nature's night passage pattern peace philosophic phrase play's poet poetic poetry political present Professor public world question reality relation Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggests T. S. Eliot thee themes things thou thought time's tion Titus Andronicus tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words