Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 9
... comedy raises one or more problems - not only those of the particular play but those resulting from an ever more serious applica- tion of thought , seconded by emotion , to the infinitely various aspects of the human condition ...
... comedy raises one or more problems - not only those of the particular play but those resulting from an ever more serious applica- tion of thought , seconded by emotion , to the infinitely various aspects of the human condition ...
Pagina 30
... comedy ; we may fairly assume it was because he could not suppress his interest in the actuality of the demagogue , in the private motives and muddles that at any time may make their impact— transient or more lasting - on the public ...
... comedy ; we may fairly assume it was because he could not suppress his interest in the actuality of the demagogue , in the private motives and muddles that at any time may make their impact— transient or more lasting - on the public ...
Pagina 53
... comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff who seems , at first perplex ...
... comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff who seems , at first perplex ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action appearance Arden edition aspects attitudes aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined deliberate doth dramatic Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony justice kind King Henry King Lear Lear's lines living Macbeth man's meaning merely mind moral murder Nature's night passage pattern peace philosophic phrase play's poet poetic poetry political present Professor public world question reality relation Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggests T. S. Eliot thee themes things thou thought time's tion Titus Andronicus tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words