Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 29
... Henry VI and Richard III - the conventional and formal mode ( history moralized on the Tudor pattern ) [ 3 ] is increasingly qualified by reality breaking in . To say this does not of course mean that there is a simple progress from ...
... Henry VI and Richard III - the conventional and formal mode ( history moralized on the Tudor pattern ) [ 3 ] is increasingly qualified by reality breaking in . To say this does not of course mean that there is a simple progress from ...
Pagina 30
... Henry VI is , as it were , action seen at a distance - as children see history , or as most of us tend to see world affairs . When Shakespeare alters the focus ( and this is a dramatic device that he was to use repeatedly later ) , we ...
... Henry VI is , as it were , action seen at a distance - as children see history , or as most of us tend to see world affairs . When Shakespeare alters the focus ( and this is a dramatic device that he was to use repeatedly later ) , we ...
Pagina 31
... Henry VI Shakespeare uses more than one style , but the following , from the Second Part ( II . vi ) , is not uncharacteristic of that play : the speaker is the mortally wounded Clifford . The common people swarm like summer flies ; And ...
... Henry VI Shakespeare uses more than one style , but the following , from the Second Part ( II . vi ) , is not uncharacteristic of that play : the speaker is the mortally wounded Clifford . The common people swarm like summer flies ; And ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action appearance Arden edition aspects attitudes aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined deliberate doth dramatic Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony justice kind King Henry King Lear Lear's lines living Macbeth man's meaning merely mind moral murder Nature's night passage pattern peace philosophic phrase play's poet poetic poetry political present Professor public world question reality relation Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggests T. S. Eliot thee themes things thou thought time's tion Titus Andronicus tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words