Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 107
... Fool , Kent , and some others . Both Gloucester and the Fool powerfully affect our sense of the central experience embodied in Lear , but they belong to two quite different aspects of Shakespeare's wide- embracing dramatic technique ...
... Fool , Kent , and some others . Both Gloucester and the Fool powerfully affect our sense of the central experience embodied in Lear , but they belong to two quite different aspects of Shakespeare's wide- embracing dramatic technique ...
Pagina 110
... Fool and Gloucester stand in a peculiarly close relation to Lear , but whereas the Fool is inseparable from him , Gloucester also connects with a wider world— a world existing independently of Lear's own conscious- ness ( the ...
... Fool and Gloucester stand in a peculiarly close relation to Lear , but whereas the Fool is inseparable from him , Gloucester also connects with a wider world— a world existing independently of Lear's own conscious- ness ( the ...
Pagina 174
... Fool , pp . 261-2 ) . As both Heilman and Danby have insisted , Regan and Goneril represent aspects of Lear's own personality : it is only in this sense indeed that they can ' destroy his integrity ' . 13. As Granville Barker pointed ...
... Fool , pp . 261-2 ) . As both Heilman and Danby have insisted , Regan and Goneril represent aspects of Lear's own personality : it is only in this sense indeed that they can ' destroy his integrity ' . 13. As Granville Barker pointed ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action appearance Arden edition aspects attitudes aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined deliberate doth dramatic Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony justice kind King Henry King Lear Lear's lines living Macbeth man's meaning merely mind moral murder Nature's night passage pattern peace philosophic phrase play's poet poetic poetry political present Professor public world question reality relation Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggests T. S. Eliot thee themes things thou thought time's tion Titus Andronicus tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words