Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 44
Lionel Charles Knights. Shakespeare's philosophy , to be sure , is not Falstaff's . Falstaff too is presented critically , as ' riot and dishonour ' , and even in Part I there is enough to prevent us from taking him ( as we take the ...
Lionel Charles Knights. Shakespeare's philosophy , to be sure , is not Falstaff's . Falstaff too is presented critically , as ' riot and dishonour ' , and even in Part I there is enough to prevent us from taking him ( as we take the ...
Pagina 53
... Falstaff who seems , at first perplex- ingly , to be both the same figure as before and yet another : it is as though we had given a further twist to the screw of our binoculars and a figure that we thought we knew had appeared more ...
... Falstaff who seems , at first perplex- ingly , to be both the same figure as before and yet another : it is as though we had given a further twist to the screw of our binoculars and a figure that we thought we knew had appeared more ...
Pagina 58
... Falstaff of Jane Nightwork . FALSTAFF . Old , old , Master Shallow . SHALLOW . Nay , she must be old ; she cannot choose but be old ; certain she's old ; and had Robin Nightwork by old Nightwork before I came to Clement's Inn . SILENCE ...
... Falstaff of Jane Nightwork . FALSTAFF . Old , old , Master Shallow . SHALLOW . Nay , she must be old ; she cannot choose but be old ; certain she's old ; and had Robin Nightwork by old Nightwork before I came to Clement's Inn . SILENCE ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action appearance Arden edition aspects aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined deliberate doth dramatic Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony justice kind King Henry King Lear Lear's lines Macbeth man's meaning merely mind moral murder Nature's night passage pattern peace philosophic phrase play's poet poetic poetry political present Professor public world question reality relation Richard scene seems sense Shake Shakespeare Shakespearean Tragedy significance simply Sonnets speak speech suggests T. S. Eliot thee themes things thou thought time's tion Titus Andronicus tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words