Some Shakespearean ThemesChatto & Windus, 1959 - 183 pagini |
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Pagina 84
... chapters I have indicated some of the converging pressures that com- pelled Shakespeare to the writing of King Lear . In this chapter I shall be mainly concerned with the play's essential significance as I see it . But before passing ...
... chapters I have indicated some of the converging pressures that com- pelled Shakespeare to the writing of King Lear . In this chapter I shall be mainly concerned with the play's essential significance as I see it . But before passing ...
Pagina 164
... CHAPTER III 1. There are of course others notable as poetry that do nor fall within this grouping . Of these some are interesting for the introduction of new tones , notably of a detached irony : I should instance especially some of the ...
... CHAPTER III 1. There are of course others notable as poetry that do nor fall within this grouping . Of these some are interesting for the introduction of new tones , notably of a detached irony : I should instance especially some of the ...
Pagina 171
... CHAPTER V 1. Hardy of course comes to mind ; and we may turn also to Leopardi's ' La Ginestra ' ( 1836 ) . These slopes ( of Vesuvius ) Let him come visit who is wont to exalt With praise our mortal state ; here let him judge With what ...
... CHAPTER V 1. Hardy of course comes to mind ; and we may turn also to Leopardi's ' La Ginestra ' ( 1836 ) . These slopes ( of Vesuvius ) Let him come visit who is wont to exalt With praise our mortal state ; here let him judge With what ...
Cuprins
Foreword | 9 |
First Observations | 26 |
The Sonnets and King Henry IV | 45 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
Achilles action appearance Arden edition aspects attitudes aware Bardolph CHAPTER character comedy consciousness Cordelia Coriolanus course criticism death defined deliberate doth dramatic Edmund Elizabethan embodied essay evil evoked experience F. R. Leavis fact Falstaff feel Fool force Gloucester Goneril Greek hath heart Henry VI honour human nature I. A. Richards imagery images imaginative insistence interest irony justice kind King Henry King Lear Lear's lines living Macbeth man's meaning merely mind moral murder Nature's night passage pattern peace philosophic phrase play's poet poetic poetry political present Professor public world question reality relation Richard scene seems sense Shake Shakespeare significance simply Sonnets speak speech suggests T. S. Eliot thee themes things thou thought time's tion Titus Andronicus tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural vision Wheel of Fire whole Wilson Knight words