All's Well that Ends WellManchester University Press, 1984 - 126 pagini Usually classified as a "problem comedy," All's Well that Ends Well is a psychologically disturbing presentation of an aggressive, designing woman and a reluctant husband wooed by trickery. In her introduction Susan Snyder makes the play's clashing ideologies of class and gender newlyaccessible, and offers a fully reconsidered, annotated text for both readers and actors. |
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Pagina 16
... judge from the Helenas seen in this century , her role is far from defined . In the eighteenth century , Helena was played and seen as virtuous and long - suffering . In his Dramatic Miscellanies of 1783 , Thomas Davies found that ' the ...
... judge from the Helenas seen in this century , her role is far from defined . In the eighteenth century , Helena was played and seen as virtuous and long - suffering . In his Dramatic Miscellanies of 1783 , Thomas Davies found that ' the ...
Pagina 17
... aimed at ambiguity . She appears to be a poor judge of men - the world of the court and the army are quite alien to her , a doctor's daughter . In Shakespeare's Problem Plays , E. M. W. Tillyard also paired her with [ 17 ]
... aimed at ambiguity . She appears to be a poor judge of men - the world of the court and the army are quite alien to her , a doctor's daughter . In Shakespeare's Problem Plays , E. M. W. Tillyard also paired her with [ 17 ]
Pagina 63
... judge by the peremptory dialogue , even the audience is to take a degree of shock . Her eyes dropping nervously , Helena curtsies to Bertram and hedges a little as she does with the others . Her voice quavers as she says , ' I dare not ...
... judge by the peremptory dialogue , even the audience is to take a degree of shock . Her eyes dropping nervously , Helena curtsies to Bertram and hedges a little as she does with the others . Her voice quavers as she says , ' I dare not ...
Cuprins
Scene by scene | 34 |
The illustrations between 48 and | 49 |
Bibliography Books and articles | 117 |
Drept de autor | |
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Termeni și expresii frecvente
action actually All's appears audience Barton begins believes Bertram Bridges-Adams calls character comedy comes comic continued Count Countess couplets court cure Designer Diana direction Director drum effect Elizabethan enters entrance eyes face feelings finally Florence France girl give Guthrie Guthrie's hand hath hear Helena honour husband introduced Italy John King King's kiss Lafeu Lavache leave letter light live looks lord mean Michael mother move never Parolles Parolles's Payne performance play prepared present problem production question realistic reported ring Robert Rosemary Leach Rousillon scene seems seen sense serves Shakespeare simple soldiers soliloquy speak speech spirit stage stands story Stratford Stratford-upon-Avon suggest television Theatre thou thought tone touch turn virginity voice Widow wife Willman woman women young youth