A Midsummer Night's Dream: Critical EssaysDorothea Kehler Routledge, 6 dec. 2012 - 506 pagini This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory. |
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Pagina 4
... vision of the play as cruelly, even bestially, orgiastic, no doubt it still is. But that prominent reading revolutionized criticism and stage productions. In its wake, to issues long explored, critics added often fascinating ...
... vision of the play as cruelly, even bestially, orgiastic, no doubt it still is. But that prominent reading revolutionized criticism and stage productions. In its wake, to issues long explored, critics added often fascinating ...
Pagina 8
... vision. Charles Knight (1849), a British friend of the proletariat, takes a quite different tack regarding social Stratification. Replying to Malone, he argues that Dream demonstrates Shakespeare's maturity as a playwright; its Thesean ...
... vision. Charles Knight (1849), a British friend of the proletariat, takes a quite different tack regarding social Stratification. Replying to Malone, he argues that Dream demonstrates Shakespeare's maturity as a playwright; its Thesean ...
Pagina 33
... vision. David Bevington's essay (1975) offers one of the most appealing readings of Dream. Bevington finds Kott “helpful . . . though he has surely gone too far” (86). For example, while it is possible that Oberon is bisexual and ...
... vision. David Bevington's essay (1975) offers one of the most appealing readings of Dream. Bevington finds Kott “helpful . . . though he has surely gone too far” (86). For example, while it is possible that Oberon is bisexual and ...
Pagina 37
... vision of A Midsummer Night's Dream Shakespeare was presenting a Platonic dream world, a shadow world out of which would grow a Christian future life, so too John Vyvyan (1961) regards the play as informed by Neoplatonism. He cites ...
... vision of A Midsummer Night's Dream Shakespeare was presenting a Platonic dream world, a shadow world out of which would grow a Christian future life, so too John Vyvyan (1961) regards the play as informed by Neoplatonism. He cites ...
Pagina 46
... vision and imagination also characterizes the dispute between Oberon and Titania” (552); Oberon uses magic to make Titania see (and love) as he wishes. The changeling (also Puttenham's term for a maladroit figure of speech) represents ...
... vision and imagination also characterizes the dispute between Oberon and Titania” (552); Oberon uses magic to make Titania see (and love) as he wishes. The changeling (also Puttenham's term for a maladroit figure of speech) represents ...
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A Midsummer Night's Dream: Critical Essays Dorothea Kehler Nu există previzualizare disponibilă - 2001 |
Termeni și expresii frecvente
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