A Midsummer Night's Dream: Critical EssaysDorothea Kehler Routledge, 6 dec. 2012 - 506 pagini This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory. |
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Pagina 4
... story lines, sometimes in a literary component such as language, sometimes in a favored critical approach. Inevitably, some essays overlap these categories, which themselves overlap. Charting English-language twentieth-century criticism ...
... story lines, sometimes in a literary component such as language, sometimes in a favored critical approach. Inevitably, some essays overlap these categories, which themselves overlap. Charting English-language twentieth-century criticism ...
Pagina 14
... story-a twelfth-century Norman lay and a sixteenth-century Italian retelling. Shakespeare, she believes, would have known just such parody-inviting versions of the story. For Pyramus and Thisbe's comic inspiration, J.W. Robinson (1964) ...
... story-a twelfth-century Norman lay and a sixteenth-century Italian retelling. Shakespeare, she believes, would have known just such parody-inviting versions of the story. For Pyramus and Thisbe's comic inspiration, J.W. Robinson (1964) ...
Pagina 16
... story while rejecting the supposed universality of mythic tales. He notes that C. Kerényi, in his account of Theseus's ancestors, the early rulers of Athens, describes conflicts over both the naming of children and women's political ...
... story while rejecting the supposed universality of mythic tales. He notes that C. Kerényi, in his account of Theseus's ancestors, the early rulers of Athens, describes conflicts over both the naming of children and women's political ...
Pagina 26
... stories are fantasy; either they are liars or have been fooled; Hippolyta's view of art as transfiguring and admirable comes closer to Shakespeare's than Theseus's, which erases any distinction between good and bad art and tolerates art ...
... stories are fantasy; either they are liars or have been fooled; Hippolyta's view of art as transfiguring and admirable comes closer to Shakespeare's than Theseus's, which erases any distinction between good and bad art and tolerates art ...
Pagina 51
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A Midsummer Night's Dream: Critical Essays Dorothea Kehler Nu există previzualizare disponibilă - 2001 |
Termeni și expresii frecvente
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