A Midsummer Night's Dream: Critical EssaysDorothea Kehler Routledge, 6 dec. 2012 - 506 pagini This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory. |
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Pagina xii
... productions. Shakespearean criticism over the last twenty years or so has usefully been labeled the “Age of Performance.” Readers will find information in this section on major foreign productions of Shakespeare's plays as well as land ...
... productions. Shakespearean criticism over the last twenty years or so has usefully been labeled the “Age of Performance.” Readers will find information in this section on major foreign productions of Shakespeare's plays as well as land ...
Pagina xiii
... production: Curtis Breight of the University of Pittsburgh, Jeanie Grant Moore at the University of Wisconsin at Oshkosh, and my colleagues Clare Colquitt and Peter C. Herman. Thanks to Marion McClinton for taking the time to speak to ...
... production: Curtis Breight of the University of Pittsburgh, Jeanie Grant Moore at the University of Wisconsin at Oshkosh, and my colleagues Clare Colquitt and Peter C. Herman. Thanks to Marion McClinton for taking the time to speak to ...
Pagina 7
... production (see the theater history below), stagings of Dream played havoc with the text as was true for all of Shakespeare's plays. The English Romantic poet and critic Samuel Taylor Coleridge (1811-12), whose Shakespeare criticism is ...
... production (see the theater history below), stagings of Dream played havoc with the text as was true for all of Shakespeare's plays. The English Romantic poet and critic Samuel Taylor Coleridge (1811-12), whose Shakespeare criticism is ...
Pagina 41
... production of dreams and ideology. In accordance with the Elizabethan notion that held the mind to be a microcosm of the great chain of being, Freedman invokes Freud and Lacan to read the playtext's psychological and ideological ...
... production of dreams and ideology. In accordance with the Elizabethan notion that held the mind to be a microcosm of the great chain of being, Freedman invokes Freud and Lacan to read the playtext's psychological and ideological ...
Pagina 45
... production. The changeling, an ethnically coded indicator of “the play's complicity in the racialist ideologies being created by early modern England's participation in imperialism” (43), was portrayed as “a rich oriental 'trifle'” (38) ...
... production. The changeling, an ethnically coded indicator of “the play's complicity in the racialist ideologies being created by early modern England's participation in imperialism” (43), was portrayed as “a rich oriental 'trifle'” (38) ...
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A Midsummer Night's Dream: Critical Essays Dorothea Kehler Nu există previzualizare disponibilă - 2001 |
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