A Midsummer Night's Dream: Critical EssaysDorothea Kehler Routledge, 6 dec. 2012 - 506 pagini This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory. |
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Pagina 12
... marriage. Harold F. Brooks's discussion of text, chronology, and occasion introducing the Arden edition (1979) ... marry Lysander. Whether Egeus accepts Hermia or rejects her depends on whether the director follows the folio version or ...
... marriage. Harold F. Brooks's discussion of text, chronology, and occasion introducing the Arden edition (1979) ... marry Lysander. Whether Egeus accepts Hermia or rejects her depends on whether the director follows the folio version or ...
Pagina 15
... marriage grounded, if uneasily, in romantic love. Winfried Schleiner (1985) provides a new source character: the Pluck of the anonymous Most Strange and Admirable Discovery of the Three Witches of Warboys (1593), referred to by the ...
... marriage grounded, if uneasily, in romantic love. Winfried Schleiner (1985) provides a new source character: the Pluck of the anonymous Most Strange and Admirable Discovery of the Three Witches of Warboys (1593), referred to by the ...
Pagina 17
... marriage. Thomas Moisan addresses those most traditional subjects and approaches-——textual criticism and literary allusion-as a postmodernist. In his “Antique Fables, Fairy Toys: Elisions, Allusion, and Translation in A Midsummer ...
... marriage. Thomas Moisan addresses those most traditional subjects and approaches-——textual criticism and literary allusion-as a postmodernist. In his “Antique Fables, Fairy Toys: Elisions, Allusion, and Translation in A Midsummer ...
Pagina 19
... marriage—with rhetoric—love and law. The action proceeds both logically and magically within the two worlds of Athens and the forest, the one societal, the other natural, a binary opposition reproduced in the language. The interlude's ...
... marriage—with rhetoric—love and law. The action proceeds both logically and magically within the two worlds of Athens and the forest, the one societal, the other natural, a binary opposition reproduced in the language. The interlude's ...
Pagina 20
... marriage. The structure, “both graceful and tight” (311) is pyramidal, composed largely of independent scenes. Ruth Nevo (1980) also asseses the play as carefully unified: “Through his basic comic structure of initial privation or ...
... marriage. The structure, “both graceful and tight” (311) is pyramidal, composed largely of independent scenes. Ruth Nevo (1980) also asseses the play as carefully unified: “Through his basic comic structure of initial privation or ...
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A Midsummer Night's Dream: Critical Essays Dorothea Kehler Nu există previzualizare disponibilă - 2001 |
Termeni și expresii frecvente
actors allusion artisans Athenian Athens audience Bottom Brook changeling changeling boy characters chronotope Ciulei comic conflict court critics cultural define Demetrius desire director discourse disfigure distortion dramatic Duke Egeus Elizabethan English erotic essay fairies feminine festive figure final find first flower Freud gender hath Helena Hermia Hippolyta hypallage ideology imagination influence interpretation Kott literary London lovers Lysander Lysander’s male marriage McClinton mechanicals metaphor Midsummer Night Midsummer Night's Dream mislined Montrose moon myth Night s Dream Oberon patriarchal performance perspective Peter Peter Brook play’s plot poet poetic political production Puck Puck’s Pyramus and Thisbe queen Quince reading reflects relationship Renaissance representation represented rhetoric role romantic scene sense sexual Shakespeare Shakespeare’s plays Shakespearean comedy significant social specific speech stage story structure suggests textual theatre theatrical theory Theseus Theseus and Hippolyta Theseus’s Titania traditional translation University Press vision wedding woman women York