A Midsummer Night's Dream: Critical EssaysDorothea Kehler Routledge, 6 dec. 2012 - 506 pagini This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory. |
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Pagina v
... a bank where the wild thyme blows Where oxlips and the nodding violet grows, Quite over-canopied with luscious Woodbine, With sweet musk-roses and with eglantine . . . Figure I (Frontispieee). Act 3, scene I, of "A Midsummer.
... a bank where the wild thyme blows Where oxlips and the nodding violet grows, Quite over-canopied with luscious Woodbine, With sweet musk-roses and with eglantine . . . Figure I (Frontispieee). Act 3, scene I, of "A Midsummer.
Pagina vi
Critical Essays Dorothea Kehler. Figure I (Frontispieee). Act 3, scene I, of "A Midsummer Night's Dream, " painted by H. F uselz' and engraved by R. Rhodes. Published I 794. Reproduced by permission of The Huntington Library, San Marino ...
Critical Essays Dorothea Kehler. Figure I (Frontispieee). Act 3, scene I, of "A Midsummer Night's Dream, " painted by H. F uselz' and engraved by R. Rhodes. Published I 794. Reproduced by permission of The Huntington Library, San Marino ...
Pagina 17
... figure in which a symmetrical exchange of parts produces nonsense—which marks Bottom's “translation” of I Corinthians and other instances of the artisans' rhetorical misadventures. At the same time, to examine the shreds and patches of ...
... figure in which a symmetrical exchange of parts produces nonsense—which marks Bottom's “translation” of I Corinthians and other instances of the artisans' rhetorical misadventures. At the same time, to examine the shreds and patches of ...
Pagina 23
... figures the Apollonian/Dionysian dialectic (Theseus versus Oberon) that she claims structures Dream. Jay L. Halio (1990) argues that the seeming concors is challenged by the metaphoric language, a thesis exemplifying the skeptical ...
... figures the Apollonian/Dionysian dialectic (Theseus versus Oberon) that she claims structures Dream. Jay L. Halio (1990) argues that the seeming concors is challenged by the metaphoric language, a thesis exemplifying the skeptical ...
Pagina 24
... figure in the social economy of the verbal arts. On all levels of the play, a struggle exists between the ... figures of humanist rhetoric. Theme: Dream, Love, Imagination, and the Supernatural Love and imagination, the latter figured as ...
... figure in the social economy of the verbal arts. On all levels of the play, a struggle exists between the ... figures of humanist rhetoric. Theme: Dream, Love, Imagination, and the Supernatural Love and imagination, the latter figured as ...
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A Midsummer Night's Dream: Critical Essays Dorothea Kehler Nu există previzualizare disponibilă - 2001 |
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actors allusion artisans Athenian Athens audience Bottom Brook changeling changeling boy characters chronotope Ciulei comic conflict court critics cultural define Demetrius desire director discourse disfigure distortion dramatic Duke Egeus Elizabethan English erotic essay fairies feminine festive figure final find first flower Freud gender hath Helena Hermia Hippolyta hypallage ideology imagination influence interpretation Kott literary London lovers Lysander Lysander’s male marriage McClinton mechanicals metaphor Midsummer Night Midsummer Night's Dream mislined Montrose moon myth Night s Dream Oberon patriarchal performance perspective Peter Peter Brook play’s plot poet poetic political production Puck Puck’s Pyramus and Thisbe queen Quince reading reflects relationship Renaissance representation represented rhetoric role romantic scene sense sexual Shakespeare Shakespeare’s plays Shakespearean comedy significant social specific speech stage story structure suggests textual theatre theatrical theory Theseus Theseus and Hippolyta Theseus’s Titania traditional translation University Press vision wedding woman women York