An Abridgment of Elements of CriticismHaswell, Barrington & Haswell, 1839 - 300 pagini |
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Pagina 149
... necessary in pro- nouncing syllables . The voice is frequently made to rest longer than usual upon a word that bears an im- portant signification ; but this is done to humor the sense , and is not necessary for melody . A thing not more ...
... necessary in pro- nouncing syllables . The voice is frequently made to rest longer than usual upon a word that bears an im- portant signification ; but this is done to humor the sense , and is not necessary for melody . A thing not more ...
Pagina 293
... necessary for producing this effect ? To what is a building confined ? What is wanted to bring architecture to maturity ? How does it differ from gardening , with respect to materials ? What is the other thing wanted to bring ...
... necessary for producing this effect ? To what is a building confined ? What is wanted to bring architecture to maturity ? How does it differ from gardening , with respect to materials ? What is the other thing wanted to bring ...
Pagina 294
... necessary in works of art that are intended to imitate nature ? How is this done ? What are chiefly studied in works of art that are original ? What is the effect of a well - proportioned room ? -of an ill - pro- portioned one ? In what ...
... necessary in works of art that are intended to imitate nature ? How is this done ? What are chiefly studied in works of art that are original ? What is the effect of a well - proportioned room ? -of an ill - pro- portioned one ? In what ...
Cuprins
Association of Ideas | 11 |
Emotions and Passions as pleasant and painful | 31 |
Resemblance of Emotions to their causes | 45 |
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accent action Æneid agreeable allegory appear arts beauty blank verse burlesque capital cause circumstances comparison congruity connexion criticism dignity disagreeable distinguished doth effect elevated ELOISA TO ABELARD emotions and passions emotions raised epic poem epic poetry expression external Falstaff figure figure of speech Fingal garden Give an example Give examples grandeur grief hath heaven Hence HENRY IV.-ACT ILIAD imagination imitation impression Jane Shore jects kind king language less light manner means melody metaphor mind motion Mozambic nature never novelty object observed ornament Ossian painful Paradise Lost pause person personification pity pleasant pleasure principle proper reader reason regularity relation relish resemblance respect rhyme RICHARD II.-ACT ridicule riety rule sense sensible sentiments Shakspeare simile sion sort sound species spectator speech sublime syllables taste termed thee things thou thought tion tragedy unity variety verse words writers