TheatricalityTracy C. Davis, Thomas Postlewait Cambridge University Press, 2003 - 243 pagini This collection of specially-commissioned, accessible, essays explores that element of performance theory known as theatricality. Six case studies use historically specific circumstances to illustrate how and why the concept of theatricality was and is used. Topics discussed include early use of the term; employment of 'theatricality' by a number of other disciplines to describe events; non-Western interpretation of theatricality; and its use when discussing and analyzing political and cultural events and philosophies. The book provides a first-step guide for those discovering the complex yet rewarding world of performance theory. |
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Cuprins
Theatricality an introduction | 1 |
Performing miracles the mysterious mimesis of Valenciennes 1547 | 40 |
Theatricality in classical Chinese drama | 65 |
Theatricality and antitheatricality in renaissance London | 90 |
Theatricality and civil society | 127 |
Defining political performance with Foucault and Habermas strategic and communicative action | 156 |
Theatricalitys proper objects genealogies of performance and gender theory | 186 |
214 | |
238 | |
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Termeni și expresii frecvente
acting actor aesthetic antitheatrical argues argument atricality attitudes audience avant-garde behavior Brecht Brechtian butch-femme Butler cality Carlyle Carlyle's century Chambers character Chinese music-drama codes concept of theatricality condition Confucian context critical critique culture debate dialectic dialogue discourse distinction drama E. K. Chambers effect Elizabethan essay ethical feelings feminism feminist theatre Foucault Gao Xingjian Gayle Rubin gender gender theory Guan Hanqing Habermas human idea of performativity idea of theatricality identity illusion Judith Butler loaves London masquerade means medieval medieval theatre metadrama metaphor metatheatre mimesis mimetic miracle modern monologue nature Ngo's norms Passion performance art performance studies play playwrights political poststructuralism poststructuralist practice Puritan queer theory realism relation religious renaissance representation resistance rhetoric ritual role Rothschild I.7.3 scholars scholarship semiotics sense sexual Shakespeare social society spectacle spectators stage sympathy Tang Xianzu thea theatricality's theatrum theoretical theorists tion Tou Ngo tradition truth Valenciennes women Wuniang
Referințe la această carte
The Cambridge Companion to British Theatre, 1730-1830 Jane Moody,Daniel O'Quinn Nu există previzualizare disponibilă - 2007 |