Shakespearean CriticismCengage Gale, 2002 - 432 pagini This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Pagina 26
... stage in the opposite direction ' ( p . 95 ) . And Peter Brook left Isa- bella centre stage apparently considering what she should do - almost asking the audience for guidance . These seem to me to be interesting experiments - but ...
... stage in the opposite direction ' ( p . 95 ) . And Peter Brook left Isa- bella centre stage apparently considering what she should do - almost asking the audience for guidance . These seem to me to be interesting experiments - but ...
Pagina 180
... stage . We were visually introduced to Romeo when he was sitting on this stage " as " rebel without a cause , smoking and writing poetry . We have seen Mercu- tio dance in drag with his friends ( also in costume ) on this stage before ...
... stage . We were visually introduced to Romeo when he was sitting on this stage " as " rebel without a cause , smoking and writing poetry . We have seen Mercu- tio dance in drag with his friends ( also in costume ) on this stage before ...
Pagina 289
Michelle Lee. The final stage in this transitional development is expressed in Amiens ' song at the end of Act II ( II.vii.174- 90 ) . This is the stage of pastoral timelessness which Halio , and other critics before him , noted as the ...
Michelle Lee. The final stage in this transitional development is expressed in Amiens ' song at the end of Act II ( II.vii.174- 90 ) . This is the stage of pastoral timelessness which Halio , and other critics before him , noted as the ...
Cuprins
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
Drept de autor | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumul 28 Vizualizare fragmente - 1984 |
Termeni și expresii frecvente
action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young