Shakespearean CriticismCengage Gale, 2002 - 432 pagini This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Pagina 94
... role as villain brought to justice in Angelo's play . Angelo's initial response is rigidly observant of his role as the instrument of justice , denying Isabella's pleas for mercy as inappropriate and irrelevant to the absoluteness of ...
... role as villain brought to justice in Angelo's play . Angelo's initial response is rigidly observant of his role as the instrument of justice , denying Isabella's pleas for mercy as inappropriate and irrelevant to the absoluteness of ...
Pagina 96
... role by requesting judicial authority over Isabella and her charges . The Duke , continuing the pretense of trusting superior , consents and leaves the scene . Again , however , what appears as reality is actually theater . The figure ...
... role by requesting judicial authority over Isabella and her charges . The Duke , continuing the pretense of trusting superior , consents and leaves the scene . Again , however , what appears as reality is actually theater . The figure ...
Pagina 308
... role- playing . For in such politics the mask is more real than the face ; the Prince must drop his face to exhibit his mask . The act is more real than the actor . Or is it ? As a dramatist , Shakespeare continually raised doubts about ...
... role- playing . For in such politics the mask is more real than the face ; the Prince must drop his face to exhibit his mask . The act is more real than the actor . Or is it ? As a dramatist , Shakespeare continually raised doubts about ...
Cuprins
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
Drept de autor | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumul 28 Vizualizare fragmente - 1984 |
Termeni și expresii frecvente
action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young