Shakespearean CriticismCengage Gale, 2002 - 432 pagini This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Pagina 138
... Mind : Rhetorical Inquiry and the Development of Elizabe- than Drama ( Berkeley , Los Angeles , and London , 1978 ) , and the books cited above by Kinney and Re- bhorn . 80. Lanham , The Motives of Eloquence , Chapters 4 and 5 ...
... Mind : Rhetorical Inquiry and the Development of Elizabe- than Drama ( Berkeley , Los Angeles , and London , 1978 ) , and the books cited above by Kinney and Re- bhorn . 80. Lanham , The Motives of Eloquence , Chapters 4 and 5 ...
Pagina 286
... mind . " The internal dialectic of Aristotle's position arises from the constant play between the objectivity of time ( as the correlative of motion ) and its relativity ( as the correlative of a knowing mind ) . This dialectical ...
... mind . " The internal dialectic of Aristotle's position arises from the constant play between the objectivity of time ( as the correlative of motion ) and its relativity ( as the correlative of a knowing mind ) . This dialectical ...
Pagina 289
... mind's apperception . What is lost- precisely that which makes readers think of Arden as time- less - is the concern for change and objective , public time . Duke Senior's remark that in Arden they do not feel the " penalty of Adam ...
... mind's apperception . What is lost- precisely that which makes readers think of Arden as time- less - is the concern for change and objective , public time . Duke Senior's remark that in Arden they do not feel the " penalty of Adam ...
Cuprins
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumul 28 Vizualizare fragmente - 1984 |
Termeni și expresii frecvente
action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young