Shakespearean CriticismCengage Gale, 2002 - 432 pagini This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Pagina 77
... language reveals her equation of the one with the other and inadvertently invites Angelo to make the same equation and subsequently to see Isabella as compromised by her appeal . Her account of herself as " At war ' twixt will and will ...
... language reveals her equation of the one with the other and inadvertently invites Angelo to make the same equation and subsequently to see Isabella as compromised by her appeal . Her account of herself as " At war ' twixt will and will ...
Pagina 119
... language . Similarly , Marjorie Garber ( see Further Reading ) studies the language and structure of Romeo and Juliet , and also notices the symmetry of the play's characters ; each character has a counterpart on the opposite side of ...
... language . Similarly , Marjorie Garber ( see Further Reading ) studies the language and structure of Romeo and Juliet , and also notices the symmetry of the play's characters ; each character has a counterpart on the opposite side of ...
Pagina 344
... language or culture undergoes " dialogization " when it becomes relativized , de - privileged , aware of competing definitions for the same things . Undialogized language is authoritative or absolute ' ( p . 427 ) . The juxtapositions ...
... language or culture undergoes " dialogization " when it becomes relativized , de - privileged , aware of competing definitions for the same things . Undialogized language is authoritative or absolute ' ( p . 427 ) . The juxtapositions ...
Cuprins
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumul 28 Vizualizare fragmente - 1984 |
Termeni și expresii frecvente
action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young