Shakespearean CriticismCengage Gale, 2002 - 432 pagini This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Pagina 99
... kind of control , the Duke acts as “ a kind of mor- ally persuasive playwright who can change the lives of his characters for the better " ( " Introduction " to Measure for Measure in The Complete Works of Shakespeare , 405 ) . Louise ...
... kind of control , the Duke acts as “ a kind of mor- ally persuasive playwright who can change the lives of his characters for the better " ( " Introduction " to Measure for Measure in The Complete Works of Shakespeare , 405 ) . Louise ...
Pagina 275
... kind of " truth " implied in such a judgment , a kind exemplified by the " holy , cold , and still " Octavia , is not one that can be meaningfully applied to Cleopatra . She eludes the sharp distinction between sincerity and pretense ...
... kind of " truth " implied in such a judgment , a kind exemplified by the " holy , cold , and still " Octavia , is not one that can be meaningfully applied to Cleopatra . She eludes the sharp distinction between sincerity and pretense ...
Pagina 300
... kind of pigeonholing , for one has difficulty in finding much of an ' acquisitive spirit ' in either Macbeth or his wife ; but it is certainly safe to conceive of Macbeth as an anti - feudal character who , however , cannot step out of ...
... kind of pigeonholing , for one has difficulty in finding much of an ' acquisitive spirit ' in either Macbeth or his wife ; but it is certainly safe to conceive of Macbeth as an anti - feudal character who , however , cannot step out of ...
Cuprins
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
Drept de autor | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumul 28 Vizualizare fragmente - 1984 |
Termeni și expresii frecvente
action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young