Shakespearean CriticismCengage Gale, 2002 - 432 pagini This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Pagina 97
... human context . Their involvement in this particular script is not personal , and in that sense what they have witnessed is most identifiably theater - a narrative of general interest performed in their presence by actors . Yet even for ...
... human context . Their involvement in this particular script is not personal , and in that sense what they have witnessed is most identifiably theater - a narrative of general interest performed in their presence by actors . Yet even for ...
Pagina 99
... human influence , a human construct subject to principled human modification , and a simple convention adaptable by any human agency . The kinetic , order - challenging discourse reflective of the third concept characterizes the speech ...
... human influence , a human construct subject to principled human modification , and a simple convention adaptable by any human agency . The kinetic , order - challenging discourse reflective of the third concept characterizes the speech ...
Pagina 242
... human dignity able to rise above the present object . " What is a man , " he asks , If his chief good and market of his time , Be but to sleep and feed ? A beast , no more . Sure he that made us with such large discourse , Looking ...
... human dignity able to rise above the present object . " What is a man , " he asks , If his chief good and market of his time , Be but to sleep and feed ? A beast , no more . Sure he that made us with such large discourse , Looking ...
Cuprins
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumul 28 Vizualizare fragmente - 1984 |
Termeni și expresii frecvente
action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young