Shakespearean CriticismCengage Gale, 2002 - 432 pagini This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
Din interiorul cărții
Rezultatele 1 - 3 din 81
Pagina 37
... final speech of a conventional comic ending ( 5.1.525-39 ) ; to that speech , however , not only the four men but Isabella , Mariana , Juliet , the Provost and Escalus make no verbal responses of the kind that Vincentio would expect ...
... final speech of a conventional comic ending ( 5.1.525-39 ) ; to that speech , however , not only the four men but Isabella , Mariana , Juliet , the Provost and Escalus make no verbal responses of the kind that Vincentio would expect ...
Pagina 70
... final , public abuse of Isabella and Mariana . Here we must blame Helena . Since its suggestions of a second sexuality are sporadic and dim , All's Well does not close , like Measure for Measure , with a final scene in which forced ...
... final , public abuse of Isabella and Mariana . Here we must blame Helena . Since its suggestions of a second sexuality are sporadic and dim , All's Well does not close , like Measure for Measure , with a final scene in which forced ...
Pagina 289
... final break in Orlando's weakening subservi- ence to the world of the polity occurs when Rosalind quali- fies his observation that " there's no clock in the forest . " There is , she points out , a subjective time - the interior time ...
... final break in Orlando's weakening subservi- ence to the world of the polity occurs when Rosalind quali- fies his observation that " there's no clock in the forest . " There is , she points out , a subjective time - the interior time ...
Cuprins
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
Drept de autor | |
9 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumul 28 Vizualizare fragmente - 1984 |
Termeni și expresii frecvente
action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young