Shakespearean CriticismCengage Gale, 2002 - 432 pagini This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Pagina 87
... effect , are so profoundly marked by " the mother " that their legal status is much the same as that of a woman unattached to a man . " 2 Legally speaking , bastards were " nonpersons . " 63 And yet , of the four effects of bastardy ...
... effect , are so profoundly marked by " the mother " that their legal status is much the same as that of a woman unattached to a man . " 2 Legally speaking , bastards were " nonpersons . " 63 And yet , of the four effects of bastardy ...
Pagina 184
... effect , and such effect as it does have is more often confusing than clarifying . The production is full of other details which have not been thought through . It mimics Luhrmann's over - the - top brash- ness , but lacks his vision ...
... effect , and such effect as it does have is more often confusing than clarifying . The production is full of other details which have not been thought through . It mimics Luhrmann's over - the - top brash- ness , but lacks his vision ...
Pagina 232
... effect , only to reaffirm their validity as external guides . " To catch the nearest way " she would use " fate " and " metaphysical aid " and bring the " future in the instant . " The nearest way leads through the dark where ...
... effect , only to reaffirm their validity as external guides . " To catch the nearest way " she would use " fate " and " metaphysical aid " and bring the " future in the instant . " The nearest way leads through the dark where ...
Cuprins
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
Drept de autor | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumul 28 Vizualizare fragmente - 1984 |
Termeni și expresii frecvente
action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young