Shakespearean CriticismCengage Gale, 2002 - 432 pagini This detailed series provides comprehensive coverage of critical interpretations of the plays of Shakespeare. Beginning with Vol. 60, the series replaced its annual compilation of essays representing the year's most noteworthy Shakespearean scholarship with topic entries, comprised of essays that analyze various topics or themes found Shakespeare's works. Approximately 90-95% of critical essays are full text. Each volume includes a cumulative character index, a topic index and a topic index arranged by play title. - Publisher. |
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Pagina 3
... characters but concludes with festive , ceremonial , and almost ritualistic marriages . And that emblematic inversion is the essence of Shakespearean tragicomedy . As the play progresses we should be aware that Shakespeare is gently ...
... characters but concludes with festive , ceremonial , and almost ritualistic marriages . And that emblematic inversion is the essence of Shakespearean tragicomedy . As the play progresses we should be aware that Shakespeare is gently ...
Pagina 92
... character and law itself as the focus of the play . The consequent vision suggests that each exercise of law is intrinsically a theatrical act , thematically driven by legal principles and narratively shaped by the characters and ac ...
... character and law itself as the focus of the play . The consequent vision suggests that each exercise of law is intrinsically a theatrical act , thematically driven by legal principles and narratively shaped by the characters and ac ...
Pagina 298
... characters do not develop , do not change , do not move , except for a slow but steady progress towards the end . The texts describe either a standstill , dimly illuminated by a greyish light which might be that within a skull ( or a ...
... characters do not develop , do not change , do not move , except for a slow but steady progress towards the end . The texts describe either a standstill , dimly illuminated by a greyish light which might be that within a skull ( or a ...
Cuprins
Character Studies | 19 |
Production Reviews | 38 |
Themes | 45 |
Drept de autor | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volumul 28 Vizualizare fragmente - 1984 |
Termeni și expresii frecvente
action Angelo Antony Arden argues audience authority Barnardine becomes Benvolio Capulet characters chastity chronotope Claudio Cleopatra comedy comic context conventional Cressida critics death desire dramatic Duke Duke's Elizabethan Escalus essay falconry feminist feud figure film final Friar genre Hamlet hath Henry human Iago Isabella Jonathan Dollimore King Lady language lines literary London lovers Lucio Luhrmann's Macbeth male Mariana marriage means Measure for Measure ment Mercutio mercy Mistress Overdone nature night Othello past patriarchal play's poem poetry political Pompey present Press Prince Prospero Renaissance response rhetoric Richard Richard II role Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays social sonnets speak speare speare's speech stage structure suggests Tempest thee theme things thou time's tion tragedy tragic Troilus Troilus and Cressida Twelfth Night Tybalt Verona Vincentio Winter's Tale women words young