The Curtain Rises, Plays to Produce: A Collection of Nonroyalty Plays with Complete Production Notes on Staging, Directing, and Acting Designed Especially for High School and Amateur Dramatic GroupsD. C. Heath, 1938 - 362 pagini |
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Pagina 272
... scenes . For the first scene , the parlor of the Hardcastle mansion , an opening should be arranged in the center , rear . This can be utilized as a door opening in the scene in the Hardcastle home , and left closed for the other scenes ...
... scenes . For the first scene , the parlor of the Hardcastle mansion , an opening should be arranged in the center , rear . This can be utilized as a door opening in the scene in the Hardcastle home , and left closed for the other scenes ...
Pagina 274
... scene . The complete setting for the inn scene can be planned to fit inside the first set . The inn scene should be represented by flats painted in shades of brown to give the half - timbered , cross - beamed effect . Doors should be ...
... scene . The complete setting for the inn scene can be planned to fit inside the first set . The inn scene should be represented by flats painted in shades of brown to give the half - timbered , cross - beamed effect . Doors should be ...
Pagina 276
... scene in the Hardcastle mansion For the inn scene : One rough - hewn long table ( may be constructed by laying planks across two large barrels ) with benches Iron kettle in fireplace Counter or long table , perhaps resembling a bar Sign ...
... scene in the Hardcastle mansion For the inn scene : One rough - hewn long table ( may be constructed by laying planks across two large barrels ) with benches Iron kettle in fireplace Counter or long table , perhaps resembling a bar Sign ...
Cuprins
Suggestions to You Actor | 6 |
How to Set Your Stage | 13 |
How to Build and Cover Scenery | 20 |
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Termeni și expresii frecvente
actor AINSWORTH audience bench BERTHA BETTY BLAIR BUDDY cardboard CELIA chair CHARLES CHRISTOPHER color comes CORIN costume crew crosses curtain cyclorama dear DIGGORY DONALD door dress end of davenport enters exits eyes face father flats Forest of Arden foundation grease paint front Ganymede gentleman give goes Gramp Grandfather GRANDMA GRIGSBY hair hand HAST HELEN HENRY HOFFMAN horse kitchen laugh light lines looks lords Luke Ashton LUTTS madam make-up MARGARET MARLOW MISS HARD MISS NEVILLE mother neck never ORLANDO PAUL PHEBE play powder rear REGIS rehearsal Richard Blair rises ROSALIND rouge RUTH sateen scene scenery SCOTTY sighs SILVIUS sits soul freedom spirit gum stage Stage Lighting stands steps STINGO Stoops to Conquer sure tell there's thing thou TONY TOUCHSTONE turns walks wear window Witherspoon wrinkles York City Zounds