The Curtain Rises, Plays to Produce: A Collection of Nonroyalty Plays with Complete Production Notes on Staging, Directing, and Acting Designed Especially for High School and Amateur Dramatic GroupsD. C. Heath, 1938 - 362 pagini |
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Pagina 37
... Powder of varying shades ( avoid pink powders . Choose shades ranging from a yellowish to a suntan ) . Moist rouge ... powder , clown - white grease paint , or white powder or cornstarch for whitening and silvering hair and beards ...
... Powder of varying shades ( avoid pink powders . Choose shades ranging from a yellowish to a suntan ) . Moist rouge ... powder , clown - white grease paint , or white powder or cornstarch for whitening and silvering hair and beards ...
Pagina 42
... Powder . The shade of powder should correspond to the foun- dation color , but perhaps be a shade lighter . Avoid pink powders , because they accent bone structure . After the make - up is complete to this point , beat in a heavy coat ...
... Powder . The shade of powder should correspond to the foun- dation color , but perhaps be a shade lighter . Avoid pink powders , because they accent bone structure . After the make - up is complete to this point , beat in a heavy coat ...
Pagina 129
... powder and brushing backwards . Dark powder over all . Put hollows and wrinkles in hands . Hair and eyebrows gray or white ( hair rather long and unkempt ) . Scotty . Juvenile foundation on face , neck , and hands . Slight touch of ...
... powder and brushing backwards . Dark powder over all . Put hollows and wrinkles in hands . Hair and eyebrows gray or white ( hair rather long and unkempt ) . Scotty . Juvenile foundation on face , neck , and hands . Slight touch of ...
Cuprins
Suggestions to You Actor | 6 |
How to Set Your Stage | 13 |
How to Build and Cover Scenery | 20 |
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Termeni și expresii frecvente
actor AINSWORTH audience bench BERTHA BETTY BLAIR BUDDY cardboard CELIA chair CHARLES CHRISTOPHER color comes CORIN costume crew crosses curtain cyclorama dear DIGGORY DONALD door dress end of davenport enters exits eyes face father flats Forest of Arden foundation grease paint front Ganymede gentleman give goes Gramp Grandfather GRANDMA GRIGSBY hair hand HAST HELEN HENRY HOFFMAN horse kitchen laugh light lines looks lords Luke Ashton LUTTS madam make-up MARGARET MARLOW MISS HARD MISS NEVILLE mother neck never ORLANDO PAUL PHEBE play powder rear REGIS rehearsal Richard Blair rises ROSALIND rouge RUTH sateen scene scenery SCOTTY sighs SILVIUS sits soul freedom spirit gum stage Stage Lighting stands steps STINGO Stoops to Conquer sure tell there's thing thou TONY TOUCHSTONE turns walks wear window Witherspoon wrinkles York City Zounds