The Curtain Rises, Plays to Produce: A Collection of Nonroyalty Plays with Complete Production Notes on Staging, Directing, and Acting Designed Especially for High School and Amateur Dramatic GroupsD. C. Heath, 1938 - 362 pagini |
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Pagina 31
... lights . With these you are sure of plenty of light on both scenery and actors . We also assume that you will use color in your foot and borderlights . Color softens and blends the hues in your set , casting a more natural light on your ...
... lights . With these you are sure of plenty of light on both scenery and actors . We also assume that you will use color in your foot and borderlights . Color softens and blends the hues in your set , casting a more natural light on your ...
Pagina 32
... light on your set and on your actors . What you really want is more light on your actors than on the scenery . You will have to pick out your actors with spotlights . Then you will want certain areas on the stage lighter than others ...
... light on your set and on your actors . What you really want is more light on your actors than on the scenery . You will have to pick out your actors with spotlights . Then you will want certain areas on the stage lighter than others ...
Pagina 86
... lights and four spots . The strips should be dimmed to provide a very dull light . Amber or straw gelatins color all lights except the spot at the left # 4 . Spot # 1 covers the dais and bench . Spot # 2 covers the chair R. Spot # 3 ...
... lights and four spots . The strips should be dimmed to provide a very dull light . Amber or straw gelatins color all lights except the spot at the left # 4 . Spot # 1 covers the dais and bench . Spot # 2 covers the chair R. Spot # 3 ...
Cuprins
Suggestions to You Actor | 6 |
How to Set Your Stage | 13 |
How to Build and Cover Scenery | 20 |
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Termeni și expresii frecvente
actor AINSWORTH audience bench BERTHA BETTY BLAIR BUDDY cardboard CELIA chair CHARLES CHRISTOPHER color comes CORIN costume crew crosses curtain cyclorama dear DIGGORY DONALD door dress end of davenport enters exits eyes face father flats Forest of Arden foundation grease paint front Ganymede gentleman give goes Gramp Grandfather GRANDMA GRIGSBY hair hand HAST HELEN HENRY HOFFMAN horse kitchen laugh light lines looks lords Luke Ashton LUTTS madam make-up MARGARET MARLOW MISS HARD MISS NEVILLE mother neck never ORLANDO PAUL PHEBE play powder rear REGIS rehearsal Richard Blair rises ROSALIND rouge RUTH sateen scene scenery SCOTTY sighs SILVIUS sits soul freedom spirit gum stage Stage Lighting stands steps STINGO Stoops to Conquer sure tell there's thing thou TONY TOUCHSTONE turns walks wear window Witherspoon wrinkles York City Zounds