The Curtain Rises, Plays to Produce: A Collection of Nonroyalty Plays with Complete Production Notes on Staging, Directing, and Acting Designed Especially for High School and Amateur Dramatic GroupsD. C. Heath, 1938 - 362 pagini |
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Pagina 40
... Eyes . To bring out the eyes , which is especially important in juvenile make - up , a line of blue dots should be placed on the upper eyelid and blended out to the corners of the eyes and up to the eyebrows . No shadow is put beneath ...
... Eyes . To bring out the eyes , which is especially important in juvenile make - up , a line of blue dots should be placed on the upper eyelid and blended out to the corners of the eyes and up to the eyebrows . No shadow is put beneath ...
Pagina 88
... eyes , nose , mouth , chin , and neck . Hollows in cheeks , under eyes , and temples . No rouge or lipstick . Gray , bushy hair and eyebrows . Wrinkles and hollows in hands . Dark powder over all . Slightly ac- centuate eyes to make ...
... eyes , nose , mouth , chin , and neck . Hollows in cheeks , under eyes , and temples . No rouge or lipstick . Gray , bushy hair and eyebrows . Wrinkles and hollows in hands . Dark powder over all . Slightly ac- centuate eyes to make ...
Pagina 160
... eyes and eyebrows . Light powder over all . Hair should be short and fluffy . Buddy . Juvenile foundation grease paint . Slight touch of rouge and lipstick . Light powder over all . Hair should give badly combed effect . Mrs. Blair ...
... eyes and eyebrows . Light powder over all . Hair should be short and fluffy . Buddy . Juvenile foundation grease paint . Slight touch of rouge and lipstick . Light powder over all . Hair should give badly combed effect . Mrs. Blair ...
Cuprins
Suggestions to You Actor | 6 |
How to Set Your Stage | 13 |
How to Build and Cover Scenery | 20 |
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Termeni și expresii frecvente
actor AINSWORTH audience bench BERTHA BETTY BLAIR BUDDY cardboard CELIA chair CHARLES CHRISTOPHER color comes CORIN costume crew crosses curtain cyclorama dear DIGGORY DONALD door dress end of davenport enters exits eyes face father flats Forest of Arden foundation grease paint front Ganymede gentleman give goes Gramp Grandfather GRANDMA GRIGSBY hair hand HAST HELEN HENRY HOFFMAN horse kitchen laugh light lines looks lords Luke Ashton LUTTS madam make-up MARGARET MARLOW MISS HARD MISS NEVILLE mother neck never ORLANDO PAUL PHEBE play powder rear REGIS rehearsal Richard Blair rises ROSALIND rouge RUTH sateen scene scenery SCOTTY sighs SILVIUS sits soul freedom spirit gum stage Stage Lighting stands steps STINGO Stoops to Conquer sure tell there's thing thou TONY TOUCHSTONE turns walks wear window Witherspoon wrinkles York City Zounds