The Curtain Rises, Plays to Produce: A Collection of Nonroyalty Plays with Complete Production Notes on Staging, Directing, and Acting Designed Especially for High School and Amateur Dramatic GroupsD. C. Heath, 1938 - 362 pagini |
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Pagina 5
... audience . The shortest distance from one point to another should be the path of action unless the movement prescribed definitely by the script suggests a different route . Be sure that furniture does not block important entrances . THE ...
... audience . The shortest distance from one point to another should be the path of action unless the movement prescribed definitely by the script suggests a different route . Be sure that furniture does not block important entrances . THE ...
Pagina 7
... audience in order to speak to you . Do not constantly face the audience . Allow the audience to see the expression on your face when you speak unless you are otherwise directed . Direct the attention of the audience toward the person ...
... audience in order to speak to you . Do not constantly face the audience . Allow the audience to see the expression on your face when you speak unless you are otherwise directed . Direct the attention of the audience toward the person ...
Pagina 8
... audience before the show begins or during intermissions . Come rested , physically and mentally . Costumes and make - up belong back of the footlights and there only . You should not mingle with the audience unless you are in street ...
... audience before the show begins or during intermissions . Come rested , physically and mentally . Costumes and make - up belong back of the footlights and there only . You should not mingle with the audience unless you are in street ...
Cuprins
Suggestions to You Actor | 6 |
How to Set Your Stage | 13 |
How to Build and Cover Scenery | 20 |
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Termeni și expresii frecvente
actor AINSWORTH audience bench BERTHA BETTY BLAIR BUDDY cardboard CELIA chair CHARLES CHRISTOPHER color comes CORIN costume crew crosses curtain cyclorama dear DIGGORY DONALD door dress end of davenport enters exits eyes face father flats Forest of Arden foundation grease paint front Ganymede gentleman give goes Gramp Grandfather GRANDMA GRIGSBY hair hand HAST HELEN HENRY HOFFMAN horse kitchen laugh light lines looks lords Luke Ashton LUTTS madam make-up MARGARET MARLOW MISS HARD MISS NEVILLE mother neck never ORLANDO PAUL PHEBE play powder rear REGIS rehearsal Richard Blair rises ROSALIND rouge RUTH sateen scene scenery SCOTTY sighs SILVIUS sits soul freedom spirit gum stage Stage Lighting stands steps STINGO Stoops to Conquer sure tell there's thing thou TONY TOUCHSTONE turns walks wear window Witherspoon wrinkles York City Zounds