Dreaming of ItalyThis book is about the love West European artists have felt for centuries for Italy - the land of light, warmth, art and culture. By means of fifty small master works by, among others, Maarten van Heemskerck, Claude Lorrain, Poussin, Corot, Turner and Feuerbach, Henk van Os outlines for the first time the artistic development that occurred as a result of this dreaming about Italy. The book begins with the 16th century, when artists wanted to study and document the remains of Italy's ancient civilisation. Later, their 17th-century successors acquired an eye for the beauty of the landscape and the golden glow of the Italian sun. With their idealised landscapes, these artists set the tone for a long time to come. Painting outdoors, which became fashionable in Rome, led around 1800 to new visions about the country. There was growing attention for the people and their obvious religious convictions. Italy became a place of perfect harmony.. |
Din interiorul cărții
Rezultatele 1 - 3 din 8
Pagina 6
This show , however , takes a far larger bite and presents works ranging from the
sixteenth to the nineteenth century . And not only are there pieces by painters
from the Low Countries , there are also works on show by British , Danish ,
French ...
This show , however , takes a far larger bite and presents works ranging from the
sixteenth to the nineteenth century . And not only are there pieces by painters
from the Low Countries , there are also works on show by British , Danish ,
French ...
Pagina 42
The art historian G . C . Bauman , who was the first to write a detailed description
of the painting , emphasized the importance of the vanitas theme ( ' Vanity , all is
vanity ' ) in this work ; he takes the figures occupied in measuring , documenting ...
The art historian G . C . Bauman , who was the first to write a detailed description
of the painting , emphasized the importance of the vanitas theme ( ' Vanity , all is
vanity ' ) in this work ; he takes the figures occupied in measuring , documenting ...
Pagina 58
Claude Lorrain takes such scenes and transforms them into theatrical events .
The composition is , as it were , crowned with light - the raking light of the sun
streaming across the buildings and reflecting the shapes of walls and roofs in the
...
Claude Lorrain takes such scenes and transforms them into theatrical events .
The composition is , as it were , crowned with light - the raking light of the sun
streaming across the buildings and reflecting the shapes of walls and roofs in the
...
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Nu am găsit nicio recenzie în locurile obișnuite.
Cuprins
Foreword | 6 |
S2 Learning from the ancients | 34 |
Land without ravelled edges | 50 |
Drept de autor | |
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Termeni și expresii frecvente
Academy Amsterdam ancient appear architectural art historian artists became become Blechen buildings Canvas century classical Claude Joseph Vernet Claude Lorrain collection completed composition contrast created cultural depicting described detail distance drawing dream of Italy Dürer Dutch Europe exhibition fact Feuerbach figures foreground French German Goltzius Gossaert Heemskerk hill ideal individual Ingres inspired interesting Iphigenia Italian Italian landscape Joseph journey known land landscape landscape painting later learning light living London longing look Mander master Mauritshuis monuments Museum National Gallery nature Netherlandish oil sketches once painter painting palaces Paris period picture piece Poelenburch pope Poussin present produced religious remain remarkable represents returned Robert Roman Rome ruins scene seen showing stands statue suggestion takes Tivoli tradition travelled Turner understanding Utrecht Venice View Villa vision walls wanted wished young