Dreaming of ItalyRoyal Picture Gallery Mauritshuis, 2006 - 128 pagini This book is about the love West European artists have felt for centuries for Italy - the land of light, warmth, art and culture. By means of fifty small master works by, among others, Maarten van Heemskerck, Claude Lorrain, Poussin, Corot, Turner and Feuerbach, Henk van Os outlines for the first time the artistic development that occurred as a result of this dreaming about Italy. The book begins with the 16th century, when artists wanted to study and document the remains of Italy's ancient civilisation. Later, their 17th-century successors acquired an eye for the beauty of the landscape and the golden glow of the Italian sun. With their idealised landscapes, these artists set the tone for a long time to come. Painting outdoors, which became fashionable in Rome, led around 1800 to new visions about the country. There was growing attention for the people and their obvious religious convictions. Italy became a place of perfect harmony.. |
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Pagina 54
... Rome are extant , and the expert and collector Van Regteren Altena once remarked that they round off in a highly personal manner the sixteenth - century period of Netherlandish art in Rome . " 2 Ter Borch often drew monuments of Rome ...
... Rome are extant , and the expert and collector Van Regteren Altena once remarked that they round off in a highly personal manner the sixteenth - century period of Netherlandish art in Rome . " 2 Ter Borch often drew monuments of Rome ...
Pagina 84
... Rome in the category ' historical landscape paintings ' with his piece showing the rape of Persephone ; off he set for four years in Rome , armed with a solid scholarship . In Rome he painted brilliant oil sketches , like the one titled ...
... Rome in the category ' historical landscape paintings ' with his piece showing the rape of Persephone ; off he set for four years in Rome , armed with a solid scholarship . In Rome he painted brilliant oil sketches , like the one titled ...
Pagina 86
... Rome . An interesting fact is that in those days artists from northern countries more and more often journeyed to Rome via Paris . Be that as it may , once in the Eternal City , Eckersberg did not feel happy . Despite the many artists ...
... Rome . An interesting fact is that in those days artists from northern countries more and more often journeyed to Rome via Paris . Be that as it may , once in the Eternal City , Eckersberg did not feel happy . Despite the many artists ...
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ancient Anselm Feuerbach architectural Arnold Böcklin Art Gallery art historian Asselijn Bartholomeus Breenbergh Bracciano capriccio Carl Blechen Cat.no cityscape classical Claude Joseph Vernet Claude Lorrain composition contrast Cornelis van Poelenburch Corot depicting Deutsch-Römer drawing dream of Italy Dürer Dutch Eckersberg exhibition figures Fohr foreground French Gerard ter Borch German Goltzius Grand Tour Haarlem Hague Hendrick Goltzius hermit ideal landscape Ingres inspired Iphigenia Italian landscape Jan Gossaert Joseph Anton Koch journey Karel van Mander klassische Land Kunst landscape painting Leighton Lingelbach London longing for Italy Maarten van Heemskerk Mauritshuis monuments motif Naples National Gallery nature Nazarenes Netherlands Nicolas Poussin nineteenth century Northern Netherlandish oil sketches painter palaces Paris Paul Bril Picture Gallery Mauritshuis piece plein-air painting Ponte Molle pope Private collection religious Roman Rome Royal Picture Gallery ruins scene Sehnsucht showing sublime Sweerts Tivoli tradition Turner Utrecht Vasari's Venice View viewer Villa Waetzoldt Winterthur Wittel