Cal. Ay, that I will; and I'll be wise here- | And the particular accidents, gone by, after, And seek for grace: What a thrice-double ass Was I, to take this drunkard for a god, And worship this dull fool? Pro. Go to; away! Alon. Hence, and bestow your luggage where you found it. Seb. Or stole it, rather. [Exeunt CAL. STK. and TRIN. Pro. Sir, I invite your highness, and your train, To my poor cell where you shall take your Since I came to this isle: And in the morn, I long To hear the story of your life, which must Take the ear strangely. Pro 'I'll deliver all; And promise you calm seas, auspicious gales, And sail so expeditious, that shall catch Your royal fleet far off. MyAriel;-chick, That is thy charge; then to the elements Be free, and fare thou well!-[aside.] Please you, draw near. [Exeunt. Ir is observed of THE TEMPEST, that its plan is regular: this the author of THE REVISAL thinks, what I think too, an accidental effect of the story, not intended or regarded by our author. But, whatever might be Shakspeare's intention in forming or adopting the plot, he has made it instrumental to the production of many characters, diversified with boundless invention, and preserved with profound skill in nature, extensive knowledge of opinions, and accurate observation of life. In a single drama are here exhibited princes, courtiers, and sailors, all speaking in their real characters. There is the agency of airy spirits, and of an earthly goblin. The operations of magic, the tumults of a storm, the adventures of a desert island, the native effusion of untaught affection, the punishment of guilt, and the final happi ness of the pair for whom our passions and reason are equally interested. JOHNSON. Scene, sometimes in Verona; sometimes in Milan; and on the frontiers of Mantua. ACT I. SCENE L. An open place in Verona. | If lost, why then a grievous labour won; Enter VALENTINE and PROTEUS. To see the wonders of the world abroad, therein, Even as I wonld, when I to love begin. Pro. Wilt thou be gone? Sweet Valentine, adieu! Think on thy Proteus, when thou, haply, seest Val. That's on some shallow story of deep boots *. However, but a folly bought with wit, Pro. So, by your circumstance, you call me. Val. So, by your circumstance, I fear, you'll Pro. Tis love you cavil at; I am not Love. Val. And writers say, As the most forward At Milan let me hear from thee by letters, Val. thought. • A humorous punishment at harvest-home feasts, &c. Speed. Why then my horns are his horns, whether I wake or sleep. Pro. A silly answer, and fitting well a sheep. Speed. This proves me still a sheep. Pro. True; and thy master a shepherd. Sp. Nay, that I can deny by a circumstance. Pro. It shall go hard, but I'll prove it by another. Speed. The shepherd seeks the sheep, and not the sheep the shepherd; but I seek my master, and my master seeks not me: there fore, I am no sheep. Pro. The sheep for fodder follow the shepherd, the shepherd for food follows not the sheep; thou for wages followest thy master, thy master for wages follows not thee: therefore, thou art a sheep. Sp. Such another proof will make me cry baa. Pro. But dost thou hear? gav'st thou my letter to Julia? Speed. Ay, sir: I, a lost mutton, gave your letter to her, a laced mutton; and she, a laced mutton, gave me, a lost mutton, nothing for my labour. Pro. Here's too small a pasture for such a store of muttons. Speed. If the ground be overcharged, you were best stick her. Pro. Nay, in that you are astray; 'twere best pound you. Speed. Nay, sir, less than a pound shall serve me for carrying your letter. Pro. You mistake; I mean the pound, a pinfold. Speed. From a pound to a pin? fold it over and over, [your lover. 'Tis threefold too little for carrying a letter to Pro. But what said she? did she nod? [SPRED nods. Speed. I. Pro. Nod, I? why, that's noddy t. Speed. You mistook, sir; I say, she did nod: and you ask me, if she did nod; and I say, I. Pro. And that set together, is-noddy. Speed. Now you have taken the pains to set it together, take it for your pains. Pro. No, no, you shall have it for bearing the letter. Speed. Well, I perceive, I must be fain to bear with you. Pro. Why, sir, how do you bear with me? Speed. Marry, sir, the letter very orderly; having nothing but the word, noddy, for my pains. • A term for a courtezan. Give me a six-pence. Pr. Beshrew ‡ me, but you have a quick wit. Speed. And yet it cannot overtake your slow purse. Pro. Come, come, open the matter in brief: What said she? Speed. Open your purse, that the money, and the matter, may be both at once delivered. Pro. Well, sir, here is for your pains: What said she? Sp. Truly, sir, I think you'll hardly win her. Pro. Why? Could'st thou perceive so much from her? Speed. Sir, I could perceive nothing at all from her; no, not so much as a ducat for delivering your letter: And being so hard to me that brought your mind, I fear, she'll prove as hard to you in telling her mind. Give her no token but stones; for she's as hard as steel. Pro. What, said she nothing? Speed. No, not so much as-take this for thy pains. To testify your bounty, I thank you, you have testern'dý me; in requital whereof, henceforth carry your letters yourself: and so, sir, I'll commend you to my master. Pro. Go, go, be gone, to save your ship from wreck; Which cannot perish, having thee aboard, Luc. O, they love least, that let men know Jul. I would, I knew his mind. [their love. Peruse this paper, madam. Luc. Jul. To Julia, Say, from whom? That the contents will shew. He would have given it you, but I being in the [than hate. That you may ruminate. [Exit. Jul. And yet, I would I had o'erlook'd the letter. It were a shame to call her back again, When willingly I would have had her here! Luc. Madam, it will not lie where it conUnless it have a false interpreter. [cerns, Jul. Some love of your's hath writ to you in rhyme. Luc. That I might sing it, madam, to a tune: Give me a note: your ladyship can set. Jul. As little by such toys as may be possible: Best sing it to the tune of Light ở love. Luc. It is too heavy for so light a tune. Jul. Heavy? belike, ithath some burden then. Luc. Ay, and melodious were it, would you Jul. And why not you? [sing it. Luc. I cannot reach so high. Jul. Let's see your song:-How now, minion? Luc. Keep tune there still, so you will sing it out: O hateful hands, to tear such loving words! heal'd; When inward joy enforc'd my heart to smile ! Shall lodge thee, till thy wound be throughly My penance is, to call Lucetta back, And ask remission for my folly past: What ho! Lucetta! And thus I search it with a sovereign kiss. Re-enter LUCETTA. Luc. Madam, dinner's ready, and your fa Luc. Nothing concerning me. ther stays. + Passion or obstinacy. Alero in music. Bustle, stir. D A matchmaker. The tenor in music. ** Since. The same. A Room in Antonio's House. Enter ANTONIO and PANTHINO. Ant. Tell me, Panthino, what sad * talk was that Wherewith my brother held you in the cloister? Pan. 'Twas of his nephew Proteus, yourson. Ant. Why, what of him? Pan. He wonder'd, that your lordship Would suffer him to spend his youth at home; While other men, of slender reputationt, Put forth their sons to seek preferment out: Some, to the wars, to try their fortune there; Some, to discover islands far away; Some, to the studious universities. For any, or for all these exercises, He said, that Proteus, your son, was meet; And did request me, to impórtune you, To let him spend his time no more at home, Which would be great impeachment ‡ to his age, In having known no travel in his youth. Ant. Nor need'st thou much impórtune me to that Whereon this month I have been hammering. I have consider'd well his loss of time; And how he cannot be a perfect man, Not being try'd and tutor'd in the world: Experience is by industry achiev'd, And perfected by the swift course of time: Then, tell me, whither were I best to send him! Pan. I think, your lordship is not ignorant How his companion, youthful Valentine, Attends the emperor in his royal court. Ant. I know it well. * Serious. [it, Are journeying to salute the emperor, And to commend their service to his will. Ant. Good company; with them shall Pro teus go: [him And, in good time,-now will we break with Enter PROTEUS. Pro. Sweet love! sweet lines! sweet life! Here is her hand, the agent of her heart; Here is her oath for love, her honour's pawn O, that our fathers would applaud our loves, To seal our happiness with their consents! O heavenly Julia! Ant. How now? what letter are you reading there? [or two Pro. May't please your lordship, 'tis a word Of commendation sent from Valentine, Delivered by a friend that came from him. Ant. Lend me the letter; let me see what [writes news. Pro. There is no news, my lord; but that he Muse not that I thus suddenly proceed; To-morrow be in readiness to go: Pro. My lord, I cannot be so soon provided; Please you, deliberate a day or two. Ant. Look, what thou want'st, shall be sent after thee: No more of stay; to-morrow thou must go.Come on, Panthino; you shall be employ'd To hasten on his expedition, [Exeunt ANT. and PAN. Pro. Thus have I shunn'd the fire, for fear of burning; And drench'd me in the sea, where I am drown'd: I fear'd to shew my father Julia's letter, Lest he should take exceptions to my love; And with the vantage of mine own excuse Hath he excepted most against my love. O, how this spring of love resembleth The uncertain glory of an April day; Which now shews all the beauty of the sun, And by and by a cloud takes all away! Re-enter PANTHINO. Pan. Sir Proteus, your father calls for you; He is in haste, therefore, I pray you, go. Pro. Why, this it is! my heart accords thereto; And yet a thousand times it answers, no. [Exeunt. 1 + Little consequence? 11. of Reproachin Break the matter to him. Wonder. Allowance. '1 |