A Companion to Classical ReceptionsLorna Hardwick, Christopher Stray Wiley, 3 ian. 2008 - 560 pagini Examining the profusion of ways in which the arts, culture, and thought of Greece and Rome have been transmitted, interpreted, adapted and used, A Companion to Classical Receptions explores the impact of this phenomenon on both ancient and later societies.
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Pagina 87
... Gladstone's politics could not have been affected by his work on Greece and Rome . The so - called ' high politics ' school of interpretation would argue that the classics , along with religion , formed a dimension of the ideology that ...
... Gladstone's politics could not have been affected by his work on Greece and Rome . The so - called ' high politics ' school of interpretation would argue that the classics , along with religion , formed a dimension of the ideology that ...
Pagina 88
... Gladstone 1861 ; Gladstone 1894 ) . Like Stanley Baldwin after him , Gladstone clearly found Horace the most appealing of Latin authors ( Dilks 1977 : 275 ) . From the late 1840s , however , it was Homer who held pride of place in his ...
... Gladstone 1861 ; Gladstone 1894 ) . Like Stanley Baldwin after him , Gladstone clearly found Horace the most appealing of Latin authors ( Dilks 1977 : 275 ) . From the late 1840s , however , it was Homer who held pride of place in his ...
Pagina 90
... Gladstone as the natural correlate of the Christian teaching about mutual responsibilities . ' We seek ' , Gladstone noted , ' the good of the whole not a part ' ( GP 44722 , f . 50v ) . The same holistic axiom , however , was to be ...
... Gladstone as the natural correlate of the Christian teaching about mutual responsibilities . ' We seek ' , Gladstone noted , ' the good of the whole not a part ' ( GP 44722 , f . 50v ) . The same holistic axiom , however , was to be ...
Cuprins
Reception and Tradition | 13 |
The Ancient Reception of Homer | 26 |
Achaemenid Persia Ancient | 50 |
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Achaemenid Achilles actors Aeschylus aesthetic African Afrikaans ancient Greek ancient world Antigone antiquity Arab Aristophanes Aristotle artistic Athenian Athens audience body canonical Castellucci chapter character chorus cinematic classical past classical reception classicists Classics and film comedy contemporary context critical Crying Game cultural Cyclops debate Dionysus discussion Elektra English epic episode ethics Etman Euripides example Fergus figure Freud Gide Gladstone gods Greece Greek and Roman Greek drama Greek tragedy Hardwick hero Homer human humour Iliad Israeli Katharevousa language Latin literary literature London mask Medea Mistriotes modern moral myth narrative Odysseus Oedipus opera Oresteia Orestes original Oxford performance Persian philosophers photographs Plato play poem poetic poetry poets political present production Prometheus question Raffaello Sanzio reading reception studies reception theory relationship rhetoric role Rome scholars Socrates Sophocles South Africa stage Symonds theatre themes theory tion translation Ulysses Virgil virtue ethics Walcott western words