My legs, like loaden branches, bow to the earth, Grif. Yes, madam; but, I think, your grace, If well, he stepp'd before me, happily,' Kath. Alas! poor man! Grif. At last, with easy roads, he came to Lodg'd in the abbey; where the reverend abbot, So went to bed: where eagerly his sickness 4 His promises were, as he then was, mighty; Grif. 6 Noble madam, tragedies, and perhaps above any scene of any other And though he were unsatisfied in getting, Happily is sometimes used by Shakspeare for hap-sage ly, peradventure; but it here more probably means op portunely. May it please your highness 2 Cardinals generally rode on mules, as a mark per 9 This speech is formed on the following passage in haps of humility. Cavendish says that Wolsey rode Holinshed This cardinal (as Edmund Campion in like a cardinal sumptuously upon his mule, trapped al-his Historie of Ireland described him,) was a man untogether in crimson velvet and gilt stirrups.' 3 Roads, or rodes, here, is the same as courses, stages, or journeys. From whence also was formed out-rodes, in-rodes, &c. doubtedly born to honour; I think (saith he) some prince's bastard, no butcher's sonne; exceeding wise, faire-spoken, high-minded, full of revenge, vitious of his bodie, loftie to his enemies, were they never so bigge, ful courteous; a ripe schooleman, thrall to affections, brought a bed with flatterie; insaciable to get, and more prince lie in bestowing, as appeareth by his two colleges at Ipswich and Oxenford, the one overthrown with his fall, the other unfinished, and yet as it lyeth, for an house of studentes (considering all the appur tenances) incomparable throughout Christendom.--He held and injoied at once the bishoprickes of Yorke, Duresme, and Winchester, the dignities of lord cardinall, Suggestion here, I think, means wicked prompting.legatt, and chancellor, the abbie of St. Albans, diverse It is used in this sense in The Tempest. I have no doubt priories, sundrie fat benefices in commendam; a great that we should read tyth'd instead of ty'd, as Dr. Far- preferrer of his servants, an advauncer of learing, mer proposed, and as the passage quoted from Holin-toute in every quarrel, never happy till this his over. shed warrants. The word tythes was not exclusively used to signify the emoluments of the clergy. 4 i. e. of unbounded pride or haughtiness. Thus Ho-to those that accepted and sought his friendship wonderlinshed: This cardinal was of a great stomach, for he computed himself equal with princes, and by crafty suggestions got into his hands innumerable treasure: he forced little on simony, and was not pitifull, and stood affectionate in his own opinion: in open presence he would lie and seie untruth, and was double both in speech and meaning: he would promise much and perform little he was vicious of his bodie, and gave the clergie evil example.' Ed. 1587, p. 922. 6 To be ill, evil, or naught of body, was to be addicted to women: to be lewd in life and manners. 7 This passage has been absurdly pointed in all the modern editione : throw; wherein he shewed such moderation, and ended so perfectlie, that the houre of his death did him more honour than all the pomp of his life passed.' We have a similar thought in Macbeth :- nothing in his life Became him like the leaving it.' that held the garland, deliver the same to the other | Sends you his princely commendations, next two, who observe the same order in their And heartily entreats you take good comfort. changes, and holding the garland over her head: Kath. O my good lord, that comfort comes too which done, they deliver the same garland to the late; last two, who likewise observe the same order; at which (as it were by inspiration) she makes in her sleep signs of rejoicing, and holdeth up her hands to heaven and so in their dancing they vanish, carrying the garland with them. The music con Let me ne'er see again. [Exeunt GRIFFITH and Messenger. Noble lady, 1 Gray had probably this passage in his mind when he made his Bard exclaim on a similar occasion:Stay, O stay! nor thus forlorn Leave me unbless'd, unpitied, here to mourn.' 2 Queen Katharine's servants, after the divorce at Dunstable, and the Pope's curse stuck up at Dunkirk, were directed to be sworn to serve her not as queen but as princess dowager. Some refused to take the oath, and so were forced to leave her service; and as for those who took it and stayed, she would not be served by them, by which means she was almost destitute of attendants. See Hall's Chronicle, fol. 219. Bishop Burnet says that all the women about her still called her queen. Hist. of the Reformation, p. 162. 3 perceiving hirselfe to waxe verie weake and feeble, and to feele death approaching at hand, caused one of hir gentle women to write a letter to the king, 'Tis like a pardon after execution: Madam, in good health. Pat. No, madam. [Giving it to KATHARINE. ter: 5 The dews of heaven fall thick in blessings on her!-- A right good husband, let him be a noble; them. The last is, for my men: they are the poorest, By that you love the dearest in this world, Cap. Kath. I thank you, honest lord. Remember me Say, his long trouble now is passing Out of this world: tell him, in death I bless'd him, Let me be us'd with honour; strew me over [Exeunt, leading KATHARINE. commending to him hir daughter and his, beseeching him to stand good father unto hir; and further desired him to have consideration of hir gentlewomen that had served hir, and to see them bestowed in marriage. Further, that it would please him to appoint that hir servants might have their due wages, and a yeares wages beside.' Holinshed, p. 939. This letter probably fell into the hands of Polydore Virgil, who was then in England, and has preserved it in the twenty-seventh book of his history. Lord Herbert has given a translation of it in his History of King Henry VIII. 4 Model, it has been already observed, signified, in the language of our ancestors, a representation or image. Thus in The London Prodigal, 1609 :-'Dear copy of my husband! O let me kiss thee!' [Kissing a picture 6 Afterwards Queen Mary. 6 Even if he should be ACT V. SCENE I. A Gallery in the Palace. Enter GAR- Whither so late? With the duke of Suffolk. Lov. A most arch heretic, a pestilence As LOVELL is going out, enter the King, and the K. Hen. Charles, I will play no more to-night; Gar. Not yet, Sir Thomas Lovell. What's the Nor shall not, when my fancy's on my play. matter? It seems, you are in haste: an if there he No great offence belongs to't, give your friend walk Gar. But, sir, sir,- Lov. Beside that of the jewel-house, he's made master bishop Now, Lovell, from the queen what is the news? ness Most heartily to pray for her. K. Hen. What say'st thou ? ha! Almost each pang a death." K. Hen. "Tis midnight, Charles, I wish your highness Charles, good night.— Enter SIR ANTONY DENNY.10 Well, sir, what follows? Den. I have brought my lord the archbishop, As you commanded me. K. Hen. Den. Ay, my good lord. K. Hen. Ha! Canterbury? Tis true: Where is he, Denny? Bring him to us. Is the king's hand and tongue; And who dare I am happily come hither. speak One syllable against him? Gar. Yes, yes, Sir Thomas, The de 1 Gardiner himself is not much delighted. lights at which he hints seem to be the king's diversions, which keep him in attendance. 2 Primero, prime, or primavista. A game at cards, gaid by some writers to be one of the oldest known in England. It is described by Duchat in his notes on Rabelais, Mr. Daines Barrington in the Archæologia, vol. viii. p. 132, and more fully by Mr. Nares in his Glossary, and in an Essay on the Origin of Playing Cards, 1816, to which our limits oblige us to refer the reader desirous of further information. 3 i. e. some hint of the business that keeps you awake so late. Of mine own opinion in religion. 5 i. e. course or way. Iter pro incepto et instituto, away, trade or course.-Cooper. • Incene'd or insensed in this instance, and in some others, only means instructed, informed: still in use in 8 i. e. summoned, convened. 9 We have almost the same sentiment before in Act 10 The substance of this and the two following scenes 11 i. e. luckily, opportunely. Vias nʊve i, p. 146. 1 K. Hen. How now, my lord? You do desire to The occasion shall instruct you: if entreaties know Wherefore I sent for you. Cran. It is my duty To attend your highness' pleasure. K. Hen. 'Pray you, arise, My good and gracious lord of Canterbury. Come, you and I must walk a turn together; Will render you no remedy, this ring Deliver them, and your appeal to us There make before them.-Look, the good man weeps! He's honest, on mine honour. God's blest mother! I have news to tell you: Come, come, give me And do as I have bid you.-[Exit CRANMER.] Ah, my good lord, I grieve at what I speak, I have, and most unwillingly, of late Have mov'd us and our council, that you shall It fits we thus proceed, or else no witness chaff Cran. I humbly thank your highness; And am right glad to catch this good occasion Most thoroughly to be winnow'd, where my And corn shall fly asunder: for, I know, There's none stands under more calumnious tongues, Than I myself, poor man. K. Hen. Stand up, good Canterbury; Thy truth, and thy integrity, is rooted In us, thy friend: Give me thy hand, stand up; Pr'ythee, let's walk. Now, by my holy dame, What manner of man are you? My lord, I look'd You would have given me your petition, that I should have ta'en some pains to bring together Yourself and your accusers; and to have heard you Without indurance,2 further. Cran. Most dread liege, The good I stand on is my truth, and honesty; K. Hen. Know you not how His language in his tears. Enter an old Lady." That was sent to me from the council, pray'd me Your state stands i' the world, with the whole world? To make great haste. All fast? what means this?Your enemies are many, and not small: their prac-Who waits there?-Sure you know me? tices Must bear the same proportion: and not ever1 Be of good cheer; K. Hen. They shall no more prevail, than we give way to. Keep comfort to you; and this morning see You do appear before them; if they shall chance, In charging you with matters, to commit you, The best persuasions to the contrary Fail not to use, and with what vehemency You being one of the council, it necessary to imprison you, that the witnesses against you may not be deterred. 2 Indurance, which Shakspeare found in Fox's narrative, means here imprisonment; one or two of the chiefest of the council, making their excuse, declared, that in requesting his indurance, it was rather meant for his trial and his purgation--than for any malice con. ceived against him." 8 i. e. have no value for. 4 Not ever is an uncommon expression, and here means not always. 5 To reen is to think or imagine. Though now obsolete, the word was common to all our ancient writers. Overweening, its derivative, is still retained in the modern vocabulary. 6 This, says Steevens, is I suppose the same old cat that appears with Anne Boleyn in a former scene. 7 The humour of this passage consists in the talkative old lady, who in her burry said it was a boy, adding bless her, before she corrects her mistake. K. Hen. Enter, at a Window above,' the King and Burrs. 'Tis well, there's one above them yet. I had thought THE COUNCIL CHAMBER. [Exeunt. Chan. Speak to the business, master secretary: Nor. Yes. D. Keep. Without, my noble lords? Yes. To one man's honour) this contagious sickness, 6 Cran. My good lords, hitherto, in all the progress Suf. Gar. My lord, because we have business of more We will be short with you. "Tis his highness' And our consent, for better trial of you, I Cran. Ah, my good lord of Winchester, I thank Who waits there? You are always my good friend; if your will pass, D. Keep. Of our flesh, few are angels: out of which frailty, lains (For so we are inform'd,) with new opinions, Divers, and dangerous; which are heresies, And, not reform'd, may prove pernicious. Gar. Which reformation must be sudden too, My noble lords: for those that tame wild horses, Pace them not in their hands to make them gentle; But stop their mouths with stubborn bits, and spur them, Till they obey the manage. If we suffer (Out of our easiness, and childish pity Gar. My lord, my lord, you are a sectary, Gar. Good master secretary, I cry your honour mercy; you may, worst Crom. Crom. Gar. Not sound, I say. Not sound? and stooles and placed under the state. Our ancestors were contented to be told that the same spot, without any change of its appearance (except perhaps the drawing back of a curtain) was at once the outside and the inside of the council chamber. The modern reader will easily conceive how this scene might now be represented on the stage, who has witnessed some of the ingenious and prompt scenes of metamorphoses by that admirable comedian Matthews. 1 The suspicious vigilance of our ancestors contrived windows which overlooked the insides of chapels, halls, kitchens, passages, &c. Some of these convenient peepholes may still be seen in colleges, and such ancient houses as have not suffered from the reformations of modern architecture. In a letter from Matthew Parker, archbishop of Canterbury, 1573, printed in Seward's Anecdotes, vol. iv. p. 270, ed. 1796:-And if it please her majestie, she may come in through my gallerie, and see the disposition of the hall in dynner 5 Capable of our flesh,' probably means 'suscepti time, at a window opening thereinto. Without a pre-ble of the failings inherent in humanity.' vious knowledge of this custom Shakspeare's scenery in the present instance would be obscure. 2 i. e. shared, possessed. 3 That is, the curtain of the balcony or upper stage, where the king now is. See Malone's Account of the early English Stage, vol iii. of the late edition by Mr. Boswell. 4 The old stage direction at the commencement of this scene is 'A councell table brought in with chayres 6 Alluding to the heresy of Thomas Muntzer, which sprung up in Saxony in the years 1521 and 1522. 7. i. e. without duplicity or guile. Thus in Acts, ii. 46, In singleness of heart. I have before had occasion to observe that single and simple were synonymous. 9 Those that understand you, under this painted gloss, this fair outside, discover your empty talk and your false reasoning. |