There's a fate in love and a fate in fight,
And the best of us all go under-

And whether we're wrong or whether we're right,

We win, sometimes, to our wonder.

Here's luck!

That we may not yet go under!

With a steady swing and an open brow
We have tramped the ways together,

But we're clasping hands at the crossroads now
In the Fiend's own night for weather;

And whether we bleed or whether we smile

In the leagues that lie before us

The ways of life are many a mile
And the dark of Fate is o'er us.
Here's luck!

And a cheer for the dark before us!

You to the left and I to the right,
For the ways of men must sever,
And it well may be for a day and a night
And it well may be forever!

But whether we live or whether we die
(For the end is past our knowing),

Here's two frank hearts and the open sky,
Be a fair or an ill wind blowing!

Here's luck!

In the teeth of all winds blowing.

UNMANIFEST DESTINY

To what new fates, my country, far
And unforeseen of foe or friend,
Beneath what unexpected star

Compelled to what unchosen end,

Across the sea that knows no beach,
The Admiral of Nations guides

Thy blind obedient keels to reach
The harbor where thy future rides!

The guns that spoke at Lexington

Knew not that God was planning then

The trumpet word of Jefferson

To bugle forth the rights of men.

To them that wept and cursed Bull Run,
What was it but despair and shame?

Who saw behind the cloud the sun?

Who knew that God was in the flame?

Had not defeat upon defeat,

Disaster on disaster come, The slave's emancipated feet

Had never marched behind the drum.

There is a Hand that bends our deeds
To mightier issues than we planned;
Each son that triumphs, each that bleeds,
My country, serves It's dark command.

Whe

Or

My

Sho

My

And

Fla

Tha

Ho

Gla

No

Bu

I do not know beneath what sky
Nor on what seas shall be thy fate;
I only know it shall be high,
I only know it shall be great.

LOVE IN THE WINDS

When I am standing on a mountain crest,
Or hold the tiller in the dashing spray,
My love of you leaps foaming in my breast,
Shouts with the winds and sweeps to their foray.
My heart bounds with the horses of the sea
And plunges in the wild ride of the night,
Flaunts in the teeth of tempest the large glee
That rides out Fate and welcomes gods to fight.

Ho, love, I laugh aloud for love of you,
Glad that our love is fellow to rough weather,-
No fretful orchid hothoused from the dew,
But hale and hardy as the highland heather,
Rejoicing in the wind that stings and thrills,
Comrade of ocean, playmate of the hills.

A STEIN SONG

(From "Spring")

Give a rouse, then, in the Maytime

For a life that knows no fear!

Turn night-time into daytime

With the sunlight of good cheer!

For it's always fair weather

When good fellows get together,

With a stein on the table and a good song ringing clear.

When the wind comes up from Cuba,
And the birds are on the wing,
And our hearts are patting juba
To the banjo of the spring,

Then it's no wonder whether

The boys will get together,

With a stein on the table and a cheer for everything.

For we're all frank-and-twenty

When the spring is in the air; And we've faith and hope a-plenty, And we've life and love to spare:

And it's birds of a feather

When we all get together,

With a stein on the table and a heart with

out a care.

For we know the world is glorious,
And the goal a golden thing,
And that God is not censorious
When his children have their fling;

And life slips its tether

When the boys get together,

With a stein on the table in the fellowship

of spring.

Madison (Julius) Cawein was born in Louisville, Kentucky, in 1865, and spent most of his life in the state of his birth. He wrote an enormous quantity of verse, publishing more than twenty volumes of pleasant, sometimes exuberant but seldom distinguished poetry. Lyrics and Idyls (1890) and Vale of Tempe (1905) contain his most characteristic stanzas, packed with the lush, adjectival love of Nature that led certain of his admirers to call him (and, one must admit, the alliteration was tempting) "the Keats of Kentucky."

Cawein's work divides itself into two distinct veins. In the one, he dealt with the scenes and incidents of his mountain environment: the sag of an old house in the hills, the echoes of a feud, rumblings of the Ku Klux Klan, the ghastly details of a lynching. In his other mood (the one which unfortunately possessed him the greater part of the time) he spent page after page romanticizing Nature, touching up his already painted lilies, polishing his thinly-plated artificialities until the base metal showed through. He pictured all outdoors with painstaking detail. And yet it is somehow unreal, prettified, remote. Every now and then, with an irritating frequency, he tries to transport his audience to a literary Fairyland; but the reader is quickly wearied by the almost interminable procession of fays, gnomes, nixies, elves, dryads, sprites, pucks, fauns-be they ever so lyrical.

In spite of Cawein's too profuse lyricism, several of his pieces will doubtless remain, though it is not likely that the survivors will be the sugared sweetmeats by which his champions (including William Dean Howells) set such store.

Cawein died in Kentucky in 1914.