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And
Chorus.

A first
Stave
Fearsome,

And a second
Right hard

To stomach

And a third, Which is a Laughable Thing.

Here's a catch and a carol to the great, grand Chan;

For we won through the deserts to his sunset barbican;

And the mountains of his palace no Titan's reach may span

Where he wields his seignorie!

"Red-as-blood skins of Panthers, so bright against the sun

On the walls of the halls where his pillared state is set

They daze with a blaze no man may look

upon.

And with conduits of beverage those floors run wet.

"His wives stiff with riches, they sit before him there.

Bird and beast at his feast make song and clapping cheer.

And jugglers and enchanters, all walking on the air,

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Make fall eclipse and thunder-make moons and suns appear!

Once the Chan, by his enemies soreprest, and sorely spent,

Lay, so they say, in a thicket 'neath a tree Where the howl of an owl vexed his foes from their intent:

Then that fowl for a holy bird of reverence made he!

We gape to
Hear them end,

And are in
Terror,

And dread

it is

Devil's Work!

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A catch and a carol to the great, grand
Chan!

Pastmasters of disasters, our desert caravan
Won through all peril to his sunset bar-
bican,

Where he wields his seignorie!

And crowns he gave us! We end where we began:

A catch and a carol to the great, grand

Chan,

The King of all the Kings across the sea!"

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The market-square suddenly with hooves. of beaten gold!

The ground yawned gaping and flamed beneath our feet!

They plunged to Pits Abysmal with their wealth untold!

And some say the Chan himself in anger dealt the stroke

For sharing of his secrets with silly, common folk:

But Holy, Blessed Mary, preserve us as

you may

Lest once more those mad Merchants come chanting from Cathay!

NIGHT1

Let the night keep
What the night takes,
Sighs buried deep,
Ancient heart-aches,
Groans of the lover,
Tears of the lost;

Let day discover not
All the night cost!

Let the night keep
Love's burning bliss,

Drowned in deep sleep
Whisper and kiss,

Thoughts like white flowers

In hedges of May;

Let such deep hours not
Fade with the day!

Monarch is night
Of all eldest things,
Pain and affright,

Rapturous wings;

Night the crown, night the sword

Lifted to smite.

Kneel to your overlord,

Children of night!

1 From Moons of Grandeur by William Rose Benét. Copyright, 1920, George H. Doran Company, Publishers.

HOW TO CATCH UNICORNS

Its cloven hoofprint on the sand

Will lead you-where?

Into a phantasmagoric land—

Beware!

There all the bright streams run up-hill.

The birds on every tree are still.

But from stocks and stones, clear voices come That should be dumb.

If you have taken along a net,

A noose, a prod,

You'll be waiting in the forest yet .
Nid-nod!

In a virgin's lap the beast slept sound,

They say

. . but I—

I think (Is anyone around?)

That's just a lie!

If

you have taken a musketoon

To flinders 'twill flash 'neath the wizard moon.
So I should take browned batter-cake,
Hot-buttered inside, like foam to flake.

And I should take an easy heart
And a whimsical face,

And a tied-up lunch of sandwich and tart,
And spread a cloth in the open chase.

And then I should pretend to snore

And I'd hear a snort and I'd hear a roar,
The wind of a mane and a tail, and four
Wild hoofs prancing the forest-floor.

And I'd open my eyes on a flashing horn-
And see the Unicorn!

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Knights have tramped in their iron-mong❜ry
But nobody thought-that's all!-he's hungry!

ADDENDUM

Really hungry! Good Lord deliver us,
The Unicorn is not carnivorous!

John Hall Wheelock

John Hall Wheelock was born at Far Rockaway, Long Island, in 1886. He was graduated from Harvard, receiving his B.A. in 1908, and finished his studies at the Universities of Göttingen and Berlin, 1908-10.

Wheelock's first book is, in many respects, his best. The Human Fantasy (1911) sings with the voice of youth—a youth which is vibrantly, even vociferously, in love with existence. Rhapsodic and obviously influenced by Whitman and Henley, these lines beat bravely; a singing buoyance arrests one upon opening the volume. A headlong ecstasy rises from pages whose refain is Splendid it is to live and glorious to die." The Beloved Adventure (1912) is less powerful but scarcely

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