Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volumul 28Gale Research Company, 1984 |
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Pagina 63
... performance , two spectators seated a row or two behind me rose from their seats still applauding and , moved by the play's comic energy , launched into a cel- ebration of the skills of its author . At a pause in this chorus of praise ...
... performance , two spectators seated a row or two behind me rose from their seats still applauding and , moved by the play's comic energy , launched into a cel- ebration of the skills of its author . At a pause in this chorus of praise ...
Pagina 84
... performance of Rosalind , I con- sider the ways in which acting can effect a cure , or , to put it another way , the extent to which performance itself takes on performative power . Apotropaic signs or ges- tures and other ...
... performance of Rosalind , I con- sider the ways in which acting can effect a cure , or , to put it another way , the extent to which performance itself takes on performative power . Apotropaic signs or ges- tures and other ...
Pagina 87
... performance that can be apotropaic - is to remain both genders at once.18 Indeed , Rosalind / Ganymede is in many ways both , and she sports a male tongue in a female body . The many unaswerable questions and comments about identity ...
... performance that can be apotropaic - is to remain both genders at once.18 Indeed , Rosalind / Ganymede is in many ways both , and she sports a male tongue in a female body . The many unaswerable questions and comments about identity ...
Cuprins
Texts and Revels in Twelfth Night | 13 |
Lynda E Boose The Taming of the Shrew Good Husbandry and Enclosure | 21 |
Juliet Dusinberre As Who Liked It? | 31 |
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action Adonis appears argued audience become Caliban Cambridge character Claudius comedy comic context court critical cultural Cymbeline death Desdemona desire discourse dramatic early modern Elizabeth Elizabethan England English essay Essex Falstaff father female festive figure gender Hamlet Harington hath Henry Henry IV plays Henry's human Iago imagination Ireland Irish Isabella James John King Lear language Leir lines London Lord lover Macbeth male marriage means Measure for Measure ment Merchant of Venice misogyny narrative nature Othello Oxford peare peare's performance Petrarch platea play's plot poems political popular Procris prose Prospero Queen Renaissance revenge rhetoric Richard Richard II role Rosalind royal secret seems sense sexual Shakes Shakespeare social Sonnets speak Speech Acts stage story suggests theater theatrical thou tion tragedy tragic Univ University Press utterance Venice Venus verse woman women words York